Michael Garrick

born on 30/5/1933 in Enfield Town, London Borough Of Enfield, United Kingdom

died on 11/11/2011 in Harefield, Greater London, United Kingdom

Michael Garrick

From Wikipedia, the free encyclopedia.

Michael Garrick MBE (30 May 1933 – 11 November 2011)[1] was an English jazz pianist and composer, and a pioneer in mixing jazz with poetry recitations.


Garrick was born in Enfield, Middlesex, and educated at University College, London (U.C.L.), from which he graduated in 1959 with a B.A. in English literature. As a student there he formed his first quartet. Recordings of this are on HEP (Chronos and Silhouette, shortly to be released on Gearbox vinyl). Aside from some lessons at the Ivor Mairants School of Dance Music he was "an entirely self-taught musician" (he had been expelled from Eleanor B. Franklin-Pike's piano lessons for quoting from "In the Mood" at a pupils' concert), though he attended Berklee College, Boston, as a mature student in the 1970s.

Soon after graduating from U.C.L., Garrick became the musical director of "Poetry & Jazz in Concert", a roadshow devised by poet and publisher Jeremy Robson, and involving writers as diverse as Laurie Lee, Adrian Mitchell, Vernon Scannell, Spike Milligan, Dannie Abse, and John Smith. Garrick's quintet at this time included Joe Harriott and Shake Keane. He played piano with the Don RendellIan Carr quintet from 1965 to 1969, and led his own sextet from 1966.

Garrick is perhaps best known for his jazz-choral works, the first of which he started in 1967, Jazz Praises religious work for his sextet and a large choir. With John Smith he produced a series of such works, starting in 1969 with Mr Smith's Apocalypse for sextet, speakers, and chorus, which had its premiere at the Farnham Festival. The culmination of this partnership was A Zodiac of Angels, a choral jazz ballet performed opposite Carmina Burana under ther innovative baton of Victor Fox in the Opera Theatre Manchester in January 1988 utilising symphony orchestra, 7 jazz soloists including Norma Winstone, full choir and a dance company. Indian classical music has influenced many of his compositions.

Aside from his performing, recording, and composing, Garrick was heavily involved in jazz education, and held teaching posts at the Royal Academy of Music and at Trinity College of Music, London; he continued to teach at summer schools, both for the Guildhall School of Music and on his own Jazz Academy Vacation Courses, from 1989 at Beechwood in Tunbridge Wells.

His own record label Jazz Academy Records has Trio, Solo, Quartet and other small groupings, some including singers Norma Winstone, Anita Wardell and Jacqui Dankworth. In 2010 Garrick began a collaboration with vocalist Nette Robinson. Joe Harriott's music and Garrick's Big Band feature extensively.

Garrick was appointed MBE in the 2010 Birthday Honours.[2]

Garrick died on 11 November 2011 after suffering heart problems for some years.[1]


As leader

  • 1959: Blues for the Lonelyw/Joe Harriott, Shake Keane & poet Jeremy Robson EP Columbia
  • 1959: Kronos Ist Quartet w/Peter Shade, Paul Hemmings and Brian Barnes LP HEP
  • 1963:A Case of Jazz
  • 1963: Poetry and Jazz in Concert
  • 1964: October Woman
  • 1964: Moonscape
  • 1965: Promises
  • 1966: Before Night/Day
  • 1966: Black Marigolds
  • 1968: Jazz Praises at St Paul's
  • 1969: Poetry and Jazz 250
  • 1970: The Heart Is a Lotus
  • 1971: Mr Smith's Apocalypse
  • 1972: Home Stretch Blues
  • 1972: Cold Mountain
  • 1973: Troppo
  • 1978: You've Changedw/Don Weller, Chris Lawrence and Alan Jackson
  • 1993: A Lady in Waiting
  • 1994: Meteors Close at Hand
  • 1995: Parting Is Such
  • 199596: For Love of Duke... and Ronnie
  • 1999: Down on Your Knees
  • 2000: Genius
  • 2001: The New Quartet
  • 2002: Green and Pleasant Land
  • 2003: Peter Pan Jazz Dance Suite
  • 2004: Big Band Harriott
  • 2005: Children Of Time
  • 2007: Inspirations
  • 2007: Yet Another Spring
  • 2008: "Introducing Mick Garrett-GIGS"
  • 2009: "Lady of the Aurian Wood-a magic life of Duke"
  • 2010: "Tone Poems"

Also including recent albums such as 'Moonscape,' and 'Inspirations.' (Moonscape was published after a time of obscurity - nearly 40 years!)

With the RendellCarr Quintet

  • 1965: Dusk Fire
  • 1968: Phase III
  • 1968: Live
  • 1969: Change Is


  • Praises: a miscellany of religious texts and images for jazz group, organ, and chorus. Recorded in 1965: Simon Preston (organ), Louis Halsey's Elizabethan Singers, and jazz quintet with Joe Harriott (alto sax) and Shake Keane (trumpet)
  • Mr Smith's Apocalypse: cantata (poems by John Smith). Commission from Farnham Festival, 1969. Same forces as Praises, plus readers. Recorded in 1970 with the Garrick septet.
  • Judas Kiss: the Passion of Christ. Text compiled from the four gospels. Commission from Nottingham Festival, 1971. Same forces as Mr Smith's Apocalypse, with string orchestra added in 1990. Not commercially recorded.
  • A Hobbit Suite or Gemstones: suite based on J.R.R. Tolkien The Hobbit, in nine sections. Commission from Mersey Arts, 1973 for jazz sextet, including the voice of Norma Winstone. Later expanded for jazz orchestra. Recorded in 1994 (selections from expanded version).
  • Underground Streams: an after-death soliloquy, with interludes from angels and other heavenly beings. Based on Rudolf Steiner's 1912 lecture-cycle Life between Death and Rebirth. Commission from the Jazz Centre Society, London, 1978. Forces: voice, guitar, and piano. First performance at South Bank Centre, June 1978 with Norma Winstone (voice), Phil Lee (guitar), and Garrick (piano). Not commercially recorded; broadcast on BBC Radio 3.
  • Hardy Country: suite for small or large ensemble, with or without vocal part; in nine self-contained movements, plus three poem settings for speaker. Commission from South-West Arts and Eldridge Pope, brewers, of Dorchester. First performance June 1990 in the Thomas Hardy Hall by jazz quartet with Norma Winstone. Later expanded for jazz orchestra. Selections of expnaded version recorded in 1994.
  • A Zodiac of Angels: suite of twelve pieces, depicting the situation and function of twelve heavenly beings as defined in A Dictionary of Angels by Gustav Davidson; selected and turned into verse by John Smith. Commission from Manchester Education Authority for symphony orchestra, six jazz instrumental soloists, jazz singer, chorus, and soloists. First performance at Royal Northern College of Music Opera Theatre, January 1988 in a fully staged (dance) version.
  • The Royal Box: suite in nine movements based on phrases connected with royalty (e.g., "The Old Pretender", "The Royal Prerogative", "A Lady in Waiting", etc.). Inspired by the media treatment of the British Royal Family, in particular Prince Charles and Princess Diana. In two versions: piano/bass/drums trio and jazz orchestra. Trio version recorded complete; selections of jazz-orchestra version recorded.
  • Bovingdon Poppies: oratorio of poem "Bovingdon Poppies" (a poem by Eva Travers), for chorus, soloists, jazz sextet, and string orchestra. First performance: Remembrance Day, November 1993.


  1. 1.0 1.1 Peter Vacher Obituary: Michael Garrick, The Guardian, 15 November 2011
  2. London Gazette: (Supplement) no. 59446, p. 16, 12 June 2010.

External links

  • Selected works
  • Discography
  • Interview with Dennis Harrison (March 2003)
  • BBC Radio 3 Jazz Legends programme presented by Julian Joseph (1 July 2005)
This page was last modified 17.11.2011 13:20:30

This article uses material from the article Michael Garrick from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.