John Luther Adams

born on 23/1/1953 in Meridian, MS, United States

John Luther Adams

From Wikipedia, the free encyclopedia.

John Luther Adams (born January 23, 1953) is an American composer whose music is inspired by nature, especially the landscapes of Alaska where he has lived since 1978 (Garland n.d.). His orchestral work Become Ocean was honored with the 2014 Pulitzer Prize for Music ( 2014).


Born in Meridian, Mississippi, Adams began playing music as a teenager as a drummer in rock bands. He attended Cal Arts as an undergraduate in the early 1970s, where he studied with James Tenney and Leonard Stein, and graduated in 1973 (Kosman 2001). After graduating from Cal Arts, Adams began work in environmental protection. This work first brought him to Alaska in 1975. His deep love for the location led to his permanent migration there in 1978. It continues to be a prominent influence in his music (Garland n.d.). From 1982 to 1989, he performed as timpanist and principal percussionist with the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra (Kosman 2001).

In 2006, Adams was named one of the first United States Artists Fellows. Previously, he received awards and fellowships from the National Endowment for the Arts, the Rockefeller Foundation, the Rasmuson Foundation, and the Foundation for Contemporary Arts (Garland n.d.).

Adams's musical work spans many genres and media. He has composed for television, film, children's theater, voice, acoustic instruments, orchestra, and electronics.

Adams describes himself saying: "My music has always been profoundly influenced by the natural world and a strong sense of place. Through sustained listening to the subtle resonances of the northern soundscape, I hope to explore the territory of sonic geographythat region between place and culture...between environment and imagination" (Anon. n.d.).

List of works

  • Green Corn Dance (1974) for percussion ensemble
  • Night Peace (1976) for antiphonal choirs, solo soprano, harp, and percussion
  • songbirdsongs (197480) for 2 piccolos and 3 percussion
  • Strange Birds Passing (1983) for flute choir
  • up into the silence (1978/84) (poem by E. E. Cummings) for voice and piano
  • How the Sun Came to the Forest (1984) (poem by John Haines) for chorus and alto flute, English horn, percussion, harp, and strings
  • The Far Country of Sleep (1988) for orchestra
  • Giving Birth to Thunder, Sleeping With His Daughter, Coyote Builds North America (198690) for theater
  • magic song for one who wishes to live and the dead who climb up to the sky (1990) for voice and piano
  • Dream in White-on-White (1992) for orchestra
  • Earth and the Great Weather (199093) for theater, libretto published in the book "Inukshuk" edited by ARBOS Company for Music & Theater, Vienna 1999, ISBN 3-85266-126-9
  • Five Yup'ik Dances (199194) for solo harp
  • Crow and Weasel (199394) (story by Barry Lopez) for theater
  • Sauyatugvik: the Time of Drumming (1995) for orchestra
  • Clouds of Forgetting, Clouds of Unknowing (199195) for orchestra
  • Sauyatugvik: The Time of Drumming (1996) version for 2 pianos, timpani, and 4 percussion
  • Five Athabascan Dances (1992/96) for harp and percussion
  • Strange and Sacred Noise (199197) for percussion quartet
  • Make Prayers to the Raven (1996/98) flute, violin, harp, cello, and percussion
  • In the White Silence (1998) for orchestra
  • Qilyaun (1998) for four bass drums
  • Time Undisturbed (1999) for 3 shakuhachis, 3 kotos, and sh
  • In a Treeless Place, Only Snow (1999) for celesta, harp, 2 vibraphones, and string quartet
  • The Light That Fills the World (1999-2000) for orchestra
  • Among Red Mountains (2001) for solo piano
  • The Immeasurable Space of Tones (1998-2001) for violin, vibraphone, piano, sustaining keyboard, contrabass instrument
  • The Farthest Place (2001) for violin, vibraphone, marimba, piano, double bass
  • After the Light (2001) for alto flute, vibraphone, harp
  • Dark Wind (2001) for bass clarinet, vibraphone, marimba, piano
  • Red Arc/Blue Veil (2002) for piano, mallet percussion, and processed sounds
  • The Mathematics of Resonant Bodies (2002) for solo percussion and processed sounds
  • Poem of the Forgotten (2004) (poem by John Haines) for voice and piano
  • for Lou Harrison (2004, premiere 2005) for string quartet, string orchestra, and 2 pianos
  • ...and bells remembered... (2005) for bowed crotales, orchestra bells, chimes, vibraphone and bowed vibraphone
  • for Jim (rising) (2006) for three trumpets and three trombones
  • Always Very Soft (2007) for percussion trio
  • Dark Waves (2007) for orchestra and electronic sounds
  • Little Cosmic Dust Poem (2007) for voice (medium) and piano
  • Nunataks (Solitary Peaks) (2007) for solo piano
  • Three High Places (2007) for solo violin
  • The Light Within (2007) for alto flute, bass clarinet, vibraphone/crotales, piano, violin, cello and electronic sounds
  • Sky with Four Suns and Sky with Four Moons (2008) for four choirs
  • the place we began (2008) four electro-acoustic soundscapes
  • Inuksuit (2009) for nine to ninety-nine percussion
  • Four Thousand Holes (2010) for piano, percussion, and electronic sounds
  • "I L I M A Q" (2012), a drum-kit opera, premiered at the University of Texas at Austin, performed by Glenn Kotche
  • Become Ocean (2013) for orchestra, premiered at the Seattle Symphony, June 20, 2013, conducted by Ludovic Morlot
  • Become River (2013) for chamber orchestra, premiered by the Saint Paul Chamber Orchestra, April 3, 2014, conducted by Steven Schick

Awards and recognition

  • Adams was the recipient of the 2010 Nemmers Prize in Music Composition. He was cited by the selection committee for melding the physical and musical worlds into a unique artistic vision that transcends stylistic boundaries (Moore 2010)
  • The Callithumpian Consort's recording of Adams' Four Thousand Holes was noted as one of The New Yorker's Best Classical Recordings of 2011 (Ross 2011).
  • In 2012, he received the Heinz Award.
  • Adams was the recipient of the 2014 Pulitzer Prize for Music for his composition Become Ocean.


  • songbirdsongs (1981) [LP]
  • A Northern Suite/Night Peace (1983) [LP]
  • Forest Without Leaves (1987) [LP]
  • The Far Country (1993)
  1. Dream in White on White
  2. Night Peace
  3. The Far Country of Sleep
  • Earth and the Great Weather (1995)
  • Clouds of Forgetting, Clouds of Unknowing (1997) nominated for the 1999 Grammy Award in the Best Classical Contemporary Composition and Best Orchestral Performance categories
  • Dark Wind (2002)
  • The Light That Fills the World (2002)
  1. The Farthest Place
  2. The Light That Fills the World
  3. The Immeasurable Space of Tones
  • In the White Silence (2003)
  • Strange and Sacred Noise (2005)
  • The Mathematics of Resonant Bodies (2006)
  • for Lou Harrison (2007)
  • red arc/blue veil (2007)
  1. Dark Waves
  2. Among Red Mountains
  3. Qilyuan
  4. red arc/blue veil
  • The Place We Began (2009) appears on 2009's Best (Mostly) 'New Music', from WNYC
  • Four Thousand Holes (2011)
  1. Four Thousand Holes
  2. . . . and bells remembered . . .
  • songbirdsongs (2012)
  1. songbirdsongs
  2. Strange Birds Passing


  • The Place Where You Go To Listen In Search of an Ecology of Music (Wesleyan University Press, 2009)
  • "The Immeasurable Space of Tones," Musicworks 91 (Spring, 2005)
  • "Sonic Geography Alaska," Musicworks 93 (Fall, 2005)
  • "Winter Music: Composing the North", (Wesleyan University Press, 2004)
  • "Global Warming and Art", Orion (September October, 2003)
  • "Global Warming and Art", Musicworks 86 (Summer, 2003)
  • "Winter Music. A Composer's Journal", The Best Spiritual Writing 2002 (Harper Collins, 2002)
  • "Winter Music. A Composer's Journal", Musicworks 82 (February, 2002)
  • "The Place Where You Go to Listen", The Book of Music and Nature (Wesleyan University Press, 2000) pp. 181182.
  • "Winter Music. A Composer's Journal", Reflections on American Music (Pendragon Press, 2000) pp. 3148.
  • "Strange and Sacred Noise", Yearbook of Soundscape Studies (Vol. 1: "Northern Soundscapes," ed. R. Murray Schafer and Helmi Järviluoma, 1998), pp. 143146.
  • "The Place Where You Go to Listen", Terra Nova, 2/3, 1997, pp. 1516.
  • "From the Ground Up", The Utne Reader, March/April, 1995, p. 86.
  • "Resonance of Place, Confessions of an Out-of-Town Composer", The North American Review, January/February, 1994, pp. 818.


  • Adams, John Luther. 2004. Winter Music: Composing the North. Middletown, CT: Wesleyan University Press. ISBN 0-8195-6742-6.
  • Adams, John Luther. 2009. The Place Where You Go to Listen: In Search of an Ecology of Music. Middletown, CT: Wesleyan University Press. ISBN 978-0-8195-6903-5.
  • Alburger, Mark. 2000. "A to Z: Interviews with John Luther Adams". 21st-Century Music 7, no. 1 (January): 112.
  • Anon. n.d. {{#invoke:citation/CS1|citation

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  • Feisst, Sabine. 2001. "KlanggeographieKlanggeometrie: Der US-amerikanische Komponist John Luther Adams". MusikTexte: Zeitschrift für Neue Musik, no. 91 (November): 413.
  • Gann, Kyle. 1997. American Music in the Twentieth Century. New York: Schirmer Books; London: Prentice Hall International. ISBN 0-02-864655-X.
  • Garland, Peter. n.d. "John Luther Adams". Liner notes to John Luther Adams For Lou Harrison. New World Records.
  • Kosman, Joshua. 2001. "Adams, John Luther". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Moore, Judy. 2010. "John Luther Adams Wins Nemmers Composition Prize", Northwestern University website (April 29).
  • Morris, Mitchell. 1999. "Ecotopian Sounds, or, The Music of Luther Adams and Strong Environmentalism". In Crosscurrents and Counterpoints: Offerings in Honor of Bengt Hambræus at 70, edited by , Nora A. Engebretsen, and Bo Alphonce. 12941. Skrifter från Musikvetenskapliga Avdelningen 51. Göteborg: Göteborgs Universitet. ISBN 91-85974-45-5.
  • Pulitzer 2014. Press release.
  • Ross, Alex. 2008. "Letter from Alaska: Song of the Earth: A Composer Takes Inspiration from the Arctic", The New Yorker 84, no. 13 (May 12, 2008): 7681.
  • Ross, Alex. 2011. "The Best Classical Music Recordings of 2011]". The New Yorker (December 6): [page number needed].
  • Young, Gayle. 1998. "Sonic Geography of the Arctic: An Interview with John Luther Adams". Musicworks: Explorations in Sound, no. 70 (Spring): 3843.

External links

  • John Luther Adams
  • Video: John Luther Adams's 'Inuksuit'
  • NonPop Show 006 "The Place" interview
This page was last modified 07.05.2014 00:01:23

This article uses material from the article John Luther Adams from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.