Pierre-Laurent Aimard

Pierre-Laurent Aimard - © Marco Borggreve

born on 9/9/1957 in Lyon, Rhône-Alpes, France

Pierre-Laurent Aimard

From Wikipedia, the free encyclopedia.

Pierre-Laurent Aimard (born 9 September 1957) is a French pianist.


Aimard was born in Lyon, where he entered the conservatory. Later he studied with Yvonne Loriod and with Maria Curcio.[1]

In 1973, he was awarded the chamber music prize of the Paris Conservatoire. In the same year, he won the first prize at the international Olivier Messiaen Competition. In 1977, at the invitation of Pierre Boulez, he became a founding member of the Ensemble InterContemporain. He made his American debut with the Chicago Symphony Orchestra at the age of twenty, performing the piano solo part in Olivier Messiaen's Turangalîla-Symphonie.

Aimard is particularly committed to contemporary music. He was the soloist in several premieres of works such as Répons by Pierre Boulez, Klavierstück XIV by Karlheinz Stockhausen, and the eleventh and thirteenth piano études of György Ligeti. One of his most notable recordings is that of the first two books of Ligeti's piano études. He has also performed the work of contemporary composers such as George Benjamin and Marco Stroppa. In May 2012, he premiered Tristan Murail's piano concerto Le Désenchantement du Monde.

Aimard was one of Carnegie Hall's "Perspectives" artists for the 2006-2007 concert season, where he programmed his own series of concerts.[2][3][4] He served as artist-in-residence with the Cleveland Orchestra for two seasons, from 2007 to 2009. In 2007 Aimard was the Music Director of the Ojai Music Festival.

In addition to his work with contemporary music, Aimard has recorded the five Beethoven piano concertos with Nikolaus Harnoncourt and the Chamber Orchestra of Europe,[5] at the invitation of Harnoncourt. Aimard has recorded for the Sony Classical and Teldec labels. In August 2007, he signed a new recording contract with Deutsche Grammophon.[6]

Aimard has recently extended his musical activities to conducting,[7] although he characterized his interest and gift for conducting as follows:

To be clear: I am not a conductor, and I will never be one. This is not my way of life, and I have nothing to do with that, and have no talent for that. But if you want me to give a definition to what I do, I wouldn't say I'm a pianist - I'm a musician, and the piano happens to be my instrument. I don't like to have one function, to give me just one perspective on music. I like to make chamber music, to be part of a group, to play song accompaniments, to teach, to speak about music. In other words, to live the phenomenon on different sides.[8]

In 2009, Aimard became the Artistic Director of the Aldeburgh Festival in England, for an initial contract of 3 years. Aimard is a visiting professor and an Honorary Member (2006) of the Royal Academy of Music.[9] He appears in the 2007 film Note by Note: The Making of Steinway L1037.

Aimard was featured recording Bach's The Art of Fugue in the 2009 award-winning German-Austrian documentary Pianomania, about Steinway & Sons' piano technician Stefan Knüpfer, which was directed by Lilian Franck and Robert Cibis. The film premiered theatrically in North America, where it was met with positive reviews by The New York Times,[10] as well as in Asia and throughout Europe, and is a part of the Goethe-Institut catalogue.

In 2017 Aimard signed with the PENTATONE label.[11] Under this collaberation Aimard intends to record key works from his repertoire, spanning three centuries and ranging from Bach to Kurtág, beginning with his first ever recording of Messiaen's Catalogue d'Oiseaux.

Selected discography

  • African Rhythms - compositions by György Ligeti and Steve Reich, with songs of Aka Pygmies. Teldex Studio 2003[12]
  • Messiaen - Catalogue d'oiseaux. PENTATONE PTC 5186670 (2018).


  1. ^ Niel Immelman (2009-04-14). "Obituary: Maria Curcio". The Guardian. London. Retrieved 2009-10-03. 
  2. ^ Allan Kozinn (2006-12-13). "Night of Études: Debussy, Chopin and (Surprise!) Elliott Carter". New York Times. Retrieved 2007-08-27. 
  3. ^ Anthony Tommasini (2007-03-31). "Taking Stock: Where a Composing Prodigy Is Now, and How He Got There". New York Times. Retrieved 2007-08-27. 
  4. ^ Anthony Tommasini (2007-04-03). "Pianistic Postcards Spanning Centuries". New York Times. Retrieved 2007-08-27. 
  5. ^ Andrew Clements (2003-02-28). "Beethoven: Piano Concertos Nos 1 -5: Aimard/Chamber Orchestra of Europe/Harnoncourt". The Guardian. London. Retrieved 2007-08-27. 
  6. ^ Matthew Westphal (2007-08-23). "Deutsche Grammophon Signs Pierre-Laurent Aimard". Playbill Arts. Retrieved 2007-08-27. 
  7. ^ Tim Ashley (2007-08-27). "Mahler Chamber Orchestra/Aimard (review of Prom 54)". The Guardian. London. Retrieved 2007-08-27. 
  8. ^ Tom Service (2007-08-17). "To a beat of his own". The Guardian. London. Retrieved 2007-08-27. 
  9. ^ "Honorary Members of the Royal Academy of Music (Oct.14, 2009)". Royal Academy of Music. 14 October 2009. Retrieved 14 October 2009. 
  10. ^ Dargis, Manohla (2011-11-03). "'Pianomania' by Lilian Franck and Robert Cibis - Review". The New York Times. 
  11. ^ "PIERRE-LAURENT AIMARD SIGNS TO PENTATONE". pentatonemusic. Retrieved 2017-11-21. 
  12. ^ African Rhythms - Pierre-Laurent Aimard, Aka Pygmies at AllMusic

External links

  • Official website
  • (German) official website at Universal Music
  • (German) education projects on temporary piano music with Pierre-Laurent Aimard
  • Royal Academy of Music page on Pierre-Laurent Aimard
  • Interview with Pierre-Laurent Aimard, May 4, 1998
This page was last modified 29.07.2018 21:10:12

This article uses material from the article Pierre-Laurent Aimard from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.