Franz Danzi

Franz Danzi

born on 15/6/1763 in Mannheim, Baden-Württemberg, Germany

died on 13/4/1826 in Karlsruhe, Baden-Württemberg, Germany

Franz Danzi

From Wikipedia, the free encyclopedia.

Franz Ignaz Danzi (June 15, 1763 – April 13, 1826) was a German cellist, composer and conductor, the son of the noted Italian cellist Innocenz Danzi. Born in Schwetzingen, Franz Danzi worked in Mannheim, Munich, Stuttgart and Karlsruhe, where he died.

Danzi lived at a significant time in the history of European concert music. His career, spanning the transition from the late Classical to the early Romantic styles, coincided with the origin of much of the music that lives in our concert halls and is familiar to contemporary classical-music audiences. As a young man he knew Wolfgang Amadeus Mozart, whom he revered; he was a contemporary of Ludwig van Beethoven, about whom he—like many of his generation—had strong but mixed feelings; and he was a mentor for the young Carl Maria von Weber, whose music he respected and promoted.

Born in Schwetzingen and raised in Mannheim, Danzi studied with his father and with Georg Joseph Vogler before he joined the superlative orchestra of the Elector Karl Theodor in 1778 as a teenager. In 1780 the first of his woodwind compositions was published at Mannheim. His father, principal cellist of the orchestra, was praised by Mozart for his playing at the premiere of Idomeneo. Danzi remained behind in a Mannheim that was rendered more provincial when Karl Theodor moved his court to Munich in 1778. After an apprenticeship with the small theater orchestra left in Mannheim, he rejoined the main court in Munich as principal cellist—taking his father's position—in 1784.

In 1790 he married the singer Maria Margarethe Marchand, with whom he travelled in an opera troupe to Leipzig, Prague, Venice, and Florence.

By 1798, once more in Munich, he rose to the position of assistant Kapellmeister in one of the most important musical centers of Europe, but in 1807, unhappy at the treatment he received at court and despairing of any further advancement, he left Munich to be Kapellmeister in the smaller and less important Stuttgart court of the new king of Württemberg, Frederick I. After five years he moved again to Karlsruhe, where he spent the last years of his life at the Royal Konservatorium struggling to raise the modest courtly musical establishment to respectability.

Although not himself a composer of the first rank, Danzi was a highly competent musician. At best, his music is charming, tuneful, and well crafted. He is known today chiefly for his woodwind quintets, in which he took justifiable pride for the idiomatic treatment of the individual instruments. He composed in most major genres of the time, including opera, church music, orchestral works, and many varieties of chamber music. He was a first-rate cellist as well as a conscientious and—by all reports—effective orchestra leader and conductor.

Francesca Lebrun (1756–1791), a singer and composer, was Franz Danzi's sister.

At Schwetzingen, the city concert hall was renamed in his honor in 2005.

Selected works

Among his compositions are:

  • Symphonie Concertante in E Major for Wind Quintet and Orchestra (1785)
  • 3 String Quartets, Op. 5
  • 6 String Quartets, Op. 6
  • 3 Duos for viola and cello (book 1)
  • 3 Duos for viola and cello, Op. 9 (book 2)
  • Wind Sextet in E Major, Op. 10
  • Septet in E Major, Op. 10 (arrangement of Sextet, Op. 10)
  • Septet in E Major, Op. 15
  • Sinfonia in C Major for Orchestra, Op. 25 (Danzi wrote 8 Sinfonias total.)
  • Horn Sonata in E Major, Op. 28 (c.1804)
  • 3 String Quartets, Op. 29
  • Flute Concerto No. 1 in G Major, Op. 30
  • Flute Concerto No. 2 in D Minor, Op. 31
  • 3 Quartets for Bassoon and Strings, Op. 40
  • Quintet in D Minor for Piano and Winds, Op. 41
  • Symphonie Concertante in B Major for Flute, Clarinet and Orchestra, Op. 41
  • Flute Concerto No. 3 in D Minor, Op. 42
  • Flute Concerto No. 4 in D Major, Op. 43
  • Sonata concertante in E Minor for Horn and Piano, Op. 44
  • 3 Potpourris for Clarinet and Orchestra, Op. 45 (1814)
  • Concertino, Op. 47 (Solo Clarinet, Solo Bassoon and Chamber Band)
  • Quintet in F Major for Piano and Winds, Op. 53
  • Quintet in D Major for Piano and Winds, Op. 54
  • 3 Wind Quintets, Op. 56
  • 6 String Quintets (with 2 violas), Op. 66
  • 3 Wind Quintets, Op. 67
  • 3 Wind Quintets, Op. 68
  • 3 Trios for Flute and Strings, Op. 71
  • 4 Bassoon Concertos
  • Cello Concerto in A Major
  • Cello Concerto in E Minor
  • Horn Concerto in E Major
  • Ouvertüre in E Major for Orchestra
  • Piano Concerto in E Major
  • Sonata in D Major for 2 Organs
  • Sonatina in D Major for Flute and Piano
  • Sonata for Clarinet and Piano in B Major "Sonata Concertante"
  • Sinfonia Concertante in E Major for Flute, Oboe, French Horn, Bassoon, and Orchestra
  • 6 Pieces Faciles for Piano, Op. 73
  • 4 Arias from Operas by Mozart (arranged by Danzi for 2 cellos)

External links

  • Composer biography at Naxos website
  • Free scores by Franz Danzi at the International Music Score Library Project (IMSLP)
  • A substantial list of newly-published editions of Danzi's works in Russian Wikipedia
  • Article on the 9 Danzi Wind Quintets at the Double Reed Society website
  • Woolf, Jonathan (2014). "Review - Franz Danzi: Der Berggeist (Opera)". 
This page was last modified 17.05.2018 00:39:50

This article uses material from the article Franz Danzi from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.