Lera Auerbach

Lera Auerbach

born on 21/10/1973 in Tscheljabinsk, Ural, Russian Federation

Lera Auerbach

From Wikipedia, the free encyclopedia.

Lera Auerbach (Russian: ; born 21 October 1974) is a Russian-born American composer and pianist.

Early life and education

Auerbach was born in Chelyabinsk, a city in the Urals bordering Siberia. She holds degrees in piano and composition from The Juilliard School, where she studied piano with Joseph Kalichstein and composition with Milton Babbitt. She also graduated from the piano soloist program of the Hochschule für Musik Hannover.[1]


Auerbach's compositions have been commissioned and performed by a wide array of artists, orchestras and ballet companies including Gidon Kremer, the Kremerata Baltica, David Finckel, Wu Han, Vadim Gluzman, the Tokyo, Kuss, Parker and Petersen String Quartets, the SWR and NDR symphony orchestras, and the Royal Danish Ballet. Auerbachs music has also been commissioned by and performed at Caramoor International Music Festival, Lucerne Festival, Lockenhaus Festival, Bremen Musikfest and Schleswig-Holstein Musik Festival.

A new commission by The Royal Danish Ballet, to celebrate Hans Christian Andersen's bicentenary, was Lera Auerbach's second collaboration with choreographer John Neumeier. The ballet is a modern rendition of the classic fairy tale The Little Mermaid and was premiered in April 2005 at the then newly-opened Copenhagen Opera House.[2]

Her Double Concerto for Violin, Piano, and Orchestra, Op. 40, was written in 1997, but not premiered until December 15, 2006, in Stuttgart by the Stuttgart Radio Symphony Orchestra conducted by Andrey Boreyko; the soloists were violinist Vadim Gluzman and pianist Angela Yoffe. The American premiere was on February 13, 2010, by the Fort Wayne Philharmonic Orchestra conducted by Andrew Constantine; the soloists were violinist Jennifer Koh and pianist Benjamin Hochman.[3]


Auerbach made her Carnegie Hall debut in May 2002, performing her own Suite for Violin, Piano and Orchestra with Gidon Kremer and the Kremerata Baltica.[4]

Auerbach has appeared as solo pianist at such venues as the Great Concert Hall of the Moscow Conservatory, Tokyo's Opera City, Lincoln Center, Herkulessaal, Oslo's Konzerthaus, Chicago's Theodore Thomas Orchestra Hall and the Kennedy Center.

In 2007, her Symphony No. 1 "Chimera" received its world premiere by the Düsseldorf Symphony. Other 2007 premieres included Symphony No. 2 "Requiem for a Poet" by Hannover's NDR Radio Philharmonic, as well as A Russian Requiem (on Russian Orthodox sacred texts and poetry by Alexander Pushkin, Gavrila Derzhavin, Mikhail Lermontov, Boris Pasternak, Osip Mandelstam, Alexander Blok, Zinaida Gippius, Anna Akhmatova, Joseph Brodsky, Viktor Sosnora and Irina Ratushinskaya) by the Bremen Philharmonic with the Latvian National Choir and the Estonian Opera Boys Choir.

Viennas historic Theater an der Wien debuted Auerbach's full length opera based on her original play Gogol in November 2011.[5]

Auerbach's a cappella opera The Blind (based on a play by Maurice Maeterlinck) was recently performed in a controversial new production by John La Bouchardiere at Lincoln Center for Performing Arts, New York in July 2013, throughout which the entire audience was blindfolded.[6]

Awards and recognition

In 2005 Auerbach received the Paul Hindemith Prize from the Schleswig-Holstein Musik Festival.[7] In the same year she received the Förderpreis Deutschlandfunk and the Bremer Musikfest Prize; she was composer-in-residence in Bremen. And she is notable for being the youngest composer to be represented by the acclaimed music publisher, Internationale Musikverlage Hans Sikorski GmbH & Co. KG of Hamburg, Germany.[8]

In 2007, she was selected as a member of the forum of Young Global Leaders by the World Economic Forum in Davos, Switzerland.[9]

Main orchestral works

  • Piano Concerto No. 1, Op. 39 (199798) (1. River of Loss ; 2. Dialogue with Time ; 3. Wind of Oblivion ; Part 2, Dialogue with Time, can be performed separately as an orchestral piece with the piano being part of the orchestra)
  • Double Concerto for violin, piano and orchestra, Op. 40 (1997)
  • Violin Concerto No. 1, Op. 56 (2000/2003)
  • Suite Concertante for violin, piano and Strings, Op. 60 (2001)
  • Serenade for a Melancholic Sea, for violin, cello, piano and String orchestra, Op. 68 (2002)
  • Violin Concerto No. 2 in one movement, Op. 77 (2004)
  • Dreams and Whispers of Poseidon, symphonic poem (2005)
  • Symphony No. 1 Chimera, for large orchestra (2006) (last two movements can be performed separately as symphonic poem Icarus)
  • Symphony No. 2 Requiem for a Poet, for mezzo-soprano, cello, choir and orchestra (2006)
  • Russian Requiem (2007)
  • Fragile Solitudes, Shadowbox for String Quartet and orchestra (2008)
  • Eterniday, for bass drum, celesta and Strings (2010)
  • Post Silentium, for orchestra (2012)
  • Memoria de la Luz, String Symphony No. 1 (2013) (Arrangement of the String Quartet No. 2 Primera Luz)


  • 24 Preludes (BIS 2003)
  • Tolstoy's Waltz (BIS 2004)
  • Auerbach plays Mozart (ARABESQUE 2005)
  • Ballet for a Lonely Violinist (BIS 2005)
  • Preludes and Dreams (BIS 2006)
  • Cetera Desunt, String Quartet No. 3 (CAPRICCIO 2006)
  • Flight and Fire (PROFIL - Hänssler Classics 2007)
  • Sonata for Violoncello and Piano, op. 69 (2002) (ArtistLed 11001-2)
  • Sogno di Stabat Mater (2005, rev. 2009) (Nonesuch 287228-2)


  1. Die Zeit
  2. Jerry Bowles: "The Total Package", Sequenza 21, Wednesday, August 10, 2005 http://www.sequenza21.com/2005/08/lera-auerbach-total-package.html
  3. Prelude February/March 2010 (Fort Wayne: Keefer Printing Company, 2010)
  4. Carnegie Hall Schedule Publications 05.01.2002 Suite for Violin, Piano and Orchestra (Gidon Kremer, violin; Lera Auerbach, piano and Kremerata Baltica) 10.07.2003 Sonata for Violin and Piano No. 2 (Philippe Quint Violin, Adam Neiman, Piano) 2004 20.02.2004 Sonata for Solo Cello (Christophor Miroshnikov, cello) 04.01.2005 Dreams and Whispers of Poseidon - (American Youth Symphony) 2006 Trio for Violin Piano and Orchestra (Clavier Trio) 03.11.2007 Oskolki for Violin and Piano (Borok-Ponochevny Duo)
  5. Kurier
  6. http://www.nytimes.com/2013/07/07/arts/music/the-blind-lera-auerbachs-opera-confronts-isolation.html
  7. http://www.newmusicbox.org/article.nmbx?id=4329
  8. http://www.sikorski.de/225/en/auerbach_lera.html
  9. World Economic Forum Official Website

External links

  • Official website
  • Lera Auerbach's MySpace Music page
  • Internationale Musikverlage Hans Sikorski
  • Catalogue of works
  • BIS Records
  • Impresariat Simmenauer
  • Lera Auerbach discusses the meaning of music
This page was last modified 10.05.2014 20:50:36

This article uses material from the article Lera Auerbach from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.