Muhal Richard Abrams

Muhal Richard Abrams

Muhal Richard Abrams (born September 19, 1930, in Chicago, Illinois)^[1] is an American educator, administrator, composer, arranger, clarinetist, cellist, and jazz pianist in the Free jazz medium. Abrams compresses both contemporary and traditional ideas into lean, elegant pieces.^[2]

Biography

Abrams attended DuSable High School in Chicago. By 1946, he decided to enroll in music classes at Roosevelt University. I didnt get too much out of that, because it wasnt what I was hearing in the street, he says. I decided to study on my own. I dont know why, but Ive always had a natural ability to study and analyze things. I used that ability, not even knowing what it was (it was just a feeling) and started to read books." The books of Joseph Schillinger were very influential in Abrams' development. "From there, I acquired a small spinet piano and started to teach myself how to play the instrument and read the notes - or, first of all, what key the music was in. It took time and a lot of sweat. But I analyzed it and before long I was playing with the musicians on the scene. I listened to Art Tatum, Charlie Parker, Thelonious Monk, Bud Powell and many others and concentrated on Duke [Ellington] and Fletcher Henderson for composition. Later I got scores and studied more extensive things that take place in classical composition and started to practice classical pieces on the piano, as I do now.^[3]

Abrams' first gigs were playing the blues, R&B, and hard bop circuit in Chicago and working as a sideman with everyone from Dexter Gordon and Max Roach to Ruth Brown and Woody Shaw. In 1950 he began writing arrangements for the King Fleming Band, and in 1955 played in the hard-bop band Modern Jazz Two + Three, with tenor saxophonist Eddie Harris.^[4] After this group folded he kept a low profile until he organized the Experimental Band in 1962, a contrast to his earlier hard bop venture in its use of free jazz concepts. This band, with its fluctuating lineup, evolved into the Association for the Advancement of Creative Musicians (AACM), emerging in May 1965 with Abrams as its president. Rather than playing in smoky night clubs, AACM members often rented out theatres and lofts where they could perform for attentive and open-minded audiences. The album Levels and Degrees of Light (1967) was the landmark first recording under Abrams' leadership. On this set, Abrams is joined by the saxophonists Anthony Braxton, Maurice McIntyre, vibraphonist Gordon Emmanuel, violinist Leroy Jenkins, bassist Leonard Jones and vocalist Penelope Taylor.

Abrams also played with saxophonists Eddie Harris, Dexter Gordon, and other more bop-oriented musicians during this era.

Abrams moved to New York permanently in 1975 where he was a factor in the local Loft Jazz scene. In 1983, he established the New York chapter of the Association for the Advancement of Creative Musicians.

In the 1970s, Abrams composed for symphony orchestras, string quartets, solo piano, voice, and big bands in addition to making a series of larger ensemble recordings that included harp and accordion.^[5] He is a widely influential artist, having played sides for many musicians early in his career, releasing important recordings as a leader, and writing classical works such as his "String Quartet No. 2" which was performed by the Kronos Quartet, on November 22, 1985, at the Carnegie Recital Hall in New York City.^[6] He has recorded extensively under his own name (frequently on the Black Saint label) and as a sideman on others' records. Notably regarding the latter he has recorded with Anthony Braxton Duets 1976 on Arista Records, Marion Brown and Chico Freeman.

He has recorded and toured the United States, Canada and Europe with his orchestra, sextet, quartet, duo and as a solo pianist. His musical affiliations is a "who's who" of the jazz world, including Max Roach, Dexter Gordon, Eddie "Lockjaw" Davis, Art Farmer, Sonny Stitt, Anthony Braxton, The Art Ensemble of Chicago, Eddie Harris and many others. In 1990 Abrams won the Jazzpar Prize, an annual Danish prize within jazz. In 1997 he was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award. In May 2009 the National Endowment for the Arts announced that Abrams would be one of the recipients of the 2010 NEA Jazz Masters Award.^[7] In June 2010, Muhal Richard Abrams was given the Lifetime Achievement Award by New York City's premier jazz festival, known as the Vision Festival^[8][9]

Discography

As leader

Year	Title	Label
1967	Levels and Degrees of Light	Delmark
1969	Young at Heart/Wise in Time	Delmark
1975	Things to Come from Those Now Gone	Delmark
1975	Afrisong	India Navigation/Whynot Records
1976	Sightsong	Black Saint
1977	1-OQA+19	Black Saint
1978	Lifea Blinec	Novus
1978	Spiral Live at Montreux 1978	Novus
1979	Spihumonesty	Black Saint
1980	Mama and Daddy	Black Saint
1981	Duet with Amina Claudine Myers	Black Saint
1982	Blues Forever	Black Saint
1983	Rejoicing with the Light	Black Saint
1985	View from Within	Black Saint
1986	Roots of Blue with Cecil McBee	RPR
1987	Colors in Thirty-Third	Black Saint
1989	The Hearinga Suite	Black Saint
1991	Blu Blu Blu	Black Saint
1993	Family Talk	Black Saint
1995	Think All, Focus One	Black Sain
1997	Song for All	Black Saint
1996	One Line, Two Views	New World
1997	The Open Air Meeting (Live) with Marty Ehrlich	New World
2001	The Visibility of Thought	Mutable Music
2005	Streaming with George Lewis	Pi
2007	Vision Towards Essence (Live)	Pi
2010	Spectrum with Roscoe Mitchell	Mutable Music

As sideman

With Walter Perkins MJT+3

• Daddy-O Presents MJT+3 (1957)

With Roscoe Mitchell

• Nonaah (1967)
• Roscoe Mitchell Quartet (1975)
• Duets and Solos (1990)

With Joseph Jarman

• As If It Were the Seasons (1968)

With Anthony Braxton

• Three Compositions of New Jazz (1968)
• Creative Orchestra Music 1976 (Arista, 1976)
• Duets 1976 (1976)
• Quintet (Basel) 1977 (hatOLOGY, 1977 [2000])

With Creative Construction Company

• Creative Construction Company (Muse Records, 1970)
• CCC, Vol. 2 (Muse, 1971)
• Muhal (1977)

With Kenny Dorham

• Kenny Dorham Sextet (1970)

With Eddie Harris

• Instant Death (Atlantic, 1971)
• Eddie Harris Sings the Blues (Atlantic, 1972)
• Excursions (Atlantic, 1973)
• That Is Why You're Overweight (Atlantic, 1975)

With Art Ensemble of Chicago

• Fanfare for the Warriors (Atlantic, 1974)
• Kabalaba (AECO, 1978)

With Marion Brown

• Sweet Earth Flying (Impulse!, 1974)

With Robin Kenyatta

• Beggars and Stealers (1977)

With Chico Freeman

• Morning Prayer (1976)
• Chico (1977)
• Freeman & Freeman (1981)

With Woody Shaw

• The Iron Men (1977)

With Leroy Jenkins

• Lifelong Ambitions (Black Saint, 1977)

With George Lewis

• Shadowgraph 5 (Sextet) (1977)

With Barry Altschul

• You Can't Name Your Own Tune (1977)

With Clifford Jordan

• Inward Fire (1978)

With Marty Ehrlich

• Emergency Peace (1990)

With Hamiet Bluiett

• Saying Something for All (1998)

See also

• List of Jazz Arrangers

References

External links

• AACM: Muhal Richard Abrams
• Association for the Advancement of Creative Musicians, New York Chapter
• Other Minds: Muhal Richard Abrams
• All About Jazz: The Music of Muhal Richard Abrams review by Andrey Henkin, 03-12-2004
• "Muhal Richard Abrams: Twelve Essential Tracks" by Jason Moran (Jazz.com)

This article uses material from the article Muhal Richard Abrams from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.