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Giovanni Battista Pergolesi

Giovanni Battista Pergolesi

born on 4/1/1710 in Jesi, Marche, Italy

died on 16/3/1736 in Pozzuoli, Campania, Italy

Giovanni Battista Pergolesi

From Wikipedia, the free encyclopedia.

Giovanni Battista Draghi (Italian pronunciation: [dʒoˈvanni batˈtista ˈdraːɡi]; 4 January 1710 – 16 March 1736), best known as Pergolesi (Italian: [perɡoˈleːzi]) or Giovanni Battista Pergolesi, was an Italian composer, violinist and organist.


Born in Jesi in what is now the Province of Ancona (but was then part of the Papal States), he was commonly given the nickname "Pergolesi", a demonym indicating in Italian the residents of Pergola, Marche, the birthplace of his ancestors. He studied music in Jesi under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. On leaving the conservatory in 1731, he won some renown by performing the oratorio in two parts La fenice sul rogo, o vero La morte di San Giuseppe ("The Phoenix on the Pyre, or The Death of Saint Joseph"), and the dramma sacro in three acts, Li prodigi della divina grazia nella conversione e morte di san Guglielmo duca d’Aquitania ("The Miracles of Divine Grace in the Conversion and Death of Saint William, Duke of Aquitaine"). He spent most of his brief life working for aristocratic patrons like Ferdinando Colonna, Prince of Stigliano, and Domenico Marzio Carafa, Duke of Maddaloni.

Pergolesi was one of the most important early composers of opera buffa (comic opera). His opera seria, Il prigionier superbo, contained the two-act buffa intermezzo, La serva padrona (The Servant Mistress, 28 August 1733), which became a very popular work in its own right. When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons ("quarrel of the comic actors") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau and supporters of new Italian comic opera. Pergolesi was held up as a model of the Italian style during this quarrel, which divided Paris's musical community for two years.

Among Pergolesi's other operatic works are his first opera La Salustia (1732), Lo frate 'nnamorato (The brother in love, 1732, to a text in the Neapolitan language), L'Olimpiade (January 1735) and Il Flaminio (1735). All his operas were premiered in Naples, apart from L'Olimpiade, which was first given in Rome.

Pergolesi also wrote sacred music, including a Mass in F and three Salve Regina settings. It is his Stabat Mater (1736), however, for soprano, alto, string orchestra and basso continuo, which is his best-known sacred work. It was commissioned by the Confraternità dei Cavalieri di San Luigi di Palazzo, which presented an annual Good Friday meditation in honor of the Virgin Mary. Pergolesi's work replaced one composed by Alessandro Scarlatti only nine years before, but which was already perceived as "old-fashioned," so rapidly had public tastes changed. The Lenten Hymn ‘God of Mercy and Compassion’ by Redemptorist priest Edmund Vaughan is most commonly set to a tune adapted by Pergolesi.[1]

While classical in scope, the opening section of the setting demonstrates Pergolesi's mastery of the Italian baroque durezze e ligature style, characterized by numerous suspensions over a faster, conjunct bassline. The work remained popular, becoming the most frequently printed musical work of the 18th century,[2] and being arranged by a number of other composers, including Johann Sebastian Bach, who reorchestrated and adapted it for a non-Marian text in his cantata Tilge, Höchster, meine Sünden (Root out my sins, Highest One), BWV 1083.

Pergolesi wrote a number of secular instrumental works, including a violin sonata and a violin concerto. A considerable number of instrumental and sacred works once attributed to Pergolesi have since been shown to be misattributed. Much of Igor Stravinsky's ballet Pulcinella, which ostensibly reworks pieces by Pergolesi, is actually based on works by other composers, especially Domenico Gallo. The Concerti Armonici are now known to have been composed by Unico Wilhelm van Wassenaer. Many colorful anecdotes related by Pergolesi's 19th-century biographer, Francesco Florimo, were later revealed as hoaxes, though they had furnished material for two 19th-century operas broadly based on Pergolesi's career.[2]

Giovanni Battista Pergolesi died on 16 March 1736 at the age of 26 in Pozzuoli from tuberculosis and was buried at the Franciscan monastery one day later.

Pergolesi was the subject of a 1932 Italian film biopic Pergolesi. It was directed by Guido Brignone with Elio Steiner playing the role of the composer.

Pergolesi's works on screen

Pergolesi's Salve Regina is a highlighted performance in the movie Farinelli (1994), in which Farinelli also performs Stabat Mater Dolorosa in the only duet. The first and last parts of Pergolesi's Stabat Mater were used in the soundtrack of the movie Jesus of Montreal (Jésus de Montréal) (1989); the fifth part ("Quis est homo") was used in the soundtrack of the movie Smilla's Sense of Snow (1997); the last part was also used in the movie Amadeus (1984) and in the movie The Mirror (1975) by Andrei Tarkovsky. The film Cactus (1986) by the Australian director Paul Cox also features Pergolesi's Stabat Mater on the soundtrack.[3] Nothing Left Unsaid, a 2016 documentary on Gloria Vanderbilt and Anderson Cooper, used the last movement ("Quando Corpus / Amen") of Pergolesi's Stabat Mater.

Selected works

Sacred music

  • La fenice sul rogo, o vero La morte di San Giuseppe (oratorio), 19 Mars 1731, atrium of the Chiesa dei Girolamini, Naples
  • La conversione e morte di San Guglielmo (sacred drama), summer 1731, Monastery of Sant'Agnello Maggiore, Naples
  • Stabat Mater, 1736, Naples


  • La Salustia, January 1732, Teatro San Bartolomeo, Naples; text possibly by Sebastiano Morelli after Alessandro Severo by Apostolo Zeno
  • Lo frate 'nnamorato, 27 September 1732, Teatro dei Fiorentini, Naples
  • Il prigionier superbo, containing the intermezzo La serva padrona, 28 August 1733, Teatro San Bartolomeo, Naples
  • Adriano in Siria, containing the intermezzo Livietta e Tracollo, 25 October 1734, Teatro San Bartolomeo, Naples
  • L'Olimpiade, January 1735, Teatro Tordinona, Rome
  • Il Flaminio, autumn 1735, Teatro Nuovo, Naples


  1. ^
  2. ^ a b Hucke, Helmut and Monson, Dale E. "Pergolesi, Giovanni Battista". The New Grove Dictionary of Music and Musicians. Oxford University Press.
  3. ^ "Cactus (1986) – Full Credits". Turner Classic Movies. Retrieved 21 July 2015. 

External links

This page was last modified 01.10.2017 16:50:43

This article uses material from the article Giovanni Battista Pergolesi from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.