Woody Guthrie

Woody Guthrie

born on 14/7/1912 in Okemah, OK, United States

died on 3/10/1967 in New York City, NY, United States

Woody Guthrie

From Wikipedia, the free encyclopedia.
Woody Guthrie

Woody Guthrie with guitar labeled
"This Machine Kills Fascists"
Background information
Birth name Woodrow Wilson Guthrie
Born July 14 1912
Okemah, Oklahoma, United States
Died October 3 1967 (aged 55)
New York City
Genre(s) Folk, protest song
Occupation(s) Singer-songwriter
Instrument(s) Guitar, Vocal, Harmonica, Mandolin, Fiddle
Years active 193056
Influences Joe Hill, Will Rogers, Jimmie Rodgers, The Carter Family, Lead Belly
Notable instrument(s)
Martin 000-18, Gibson Southern Jumbo, Gibson J-45

Woodrow Wilson "Woody" Guthrie (July 14, 1912  October 3, 1967) is best known as an American singer-songwriter and folk musician, whose musical legacy includes hundreds of political, traditional and children's songs, ballads and improvised works. He frequently performed with the slogan This Machine Kills Fascists displayed on his guitar. His best-known song is "This Land Is Your Land", which is regularly sung in American schools. A Canadian version was created in the 1960s.[1] Many of his recorded songs are archived in the Library of Congress.[2]

Guthrie traveled with migrant workers from Oklahoma to California and learned traditional folk and blues songs. Many of his songs are about his experiences in the Dust Bowl era during the Great Depression, earning him the nickname the "Dust Bowl Troubadour".[3] Throughout his life Guthrie was associated with United States communist groups, though he was never an actual member of any.[4]

Guthrie was married three times and fathered eight children, including American folk musician Arlo Guthrie. He is the grandfather of musician Sarah Lee Guthrie.[5] Guthrie died from complications of Huntington's disease, a progressive genetic neurological disorder. During his later years, in spite of his illness, Guthrie served as a figurehead in the folk movement, providing inspiration to a generation of new folk musicians, including mentor relationships with Ramblin' Jack Elliott and Bob Dylan.

In 1997, Woody Guthrie was inducted into the Oklahoma Music Hall of Fame.


Early life: 191230

Guthrie was born in Okemah, a small town in Okfuskee County, Oklahoma, to Nora Belle Sherman and Charles Edward Guthrie.[5] His parents named him after Woodrow Wilson, then Governor of New Jersey and the Democratic candidate soon to be elected President of the United States.

Charley Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a Democratic candidate for office in the county. The young Guthrie would often accompany his father when Charley made stump speeches in the area.[6]

Guthrie's early family life was affected by several tragic fires, including one that caused the loss of his family's home in Okemah. His sister Clara later died in a coal-oil fire when Guthrie was seven, and Guthrie's father was severely burned in a subsequent coal-oil fire.[7] The circumstances of these fires, especially those in which Charley was injured, remain unclear. It is unknown whether they were simple accidents or the result of actions by Guthrie's mother who, unknown to the Guthries at the time, was suffering from Huntington's disease.[8]

Nora Guthrie was eventually committed to the Oklahoma Hospital for the Insane, where she died in 1930 from Huntington's disease. It is also suspected that her father, George Sherman, judging from the circumstances surrounding his death by drowning, suffered from the same hereditary disease.[9]

With Nora Guthrie institutionalized and Charley Guthrie living in Pampa, Texas and working to repay his debts from unsuccessful real estate deals, Woody Guthrie and his siblings were on their own in Oklahoma and relied on their eldest brother, Roy Guthrie, for support. The 14-year-old Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends. According to one story, Guthrie made friends with an African-American blues harmonica player named "George", who he would watch play at the man's shoe shine booth. Before long, Guthrie bought his own harmonica and began playing along with him. However, in another interview 14 years later, Guthrie claimed he learned how to play harmonica from a boyhood friend, John Woods, and that his earlier story about the shoe-shining player was false.[10] He seemed to have a natural affinity for music and easily learned to "play by ear". He began to use his musical skills around town, playing a song for a sandwich or coins.[11] Guthrie easily learned old Irish ballads and traditional songs from the parents of friends. Although he did not excel as a student (he dropped out of high school in his fourth year and did not graduate), his teachers described him as bright. He was an avid reader on a wide range of topics. Friends remember his reading constantly.[12]

Eventually, Guthrie's father sent for his son to come to Texas where little would change for the now-aspiring musician. Guthrie, then 18, was reluctant to attend high school classes in Pampa and spent much time learning songs by busking on the streets and reading in the library at Pampa's city hall. He was growing as a musician, gaining practice by regularly playing at dances for his father's half-brother Jeff Guthrie, a fiddle player. At the library, he wrote a manuscript summarizing everything he had read on the basics of psychology. A librarian in Pampa shelved this manuscript under Guthrie's name, but it was later lost in a library reorganization.[12]

1930s: traveling

At age 19, Guthrie met and married his first wife, Mary Jennings, with whom he had three children.[13] With the advent of the Dust Bowl era, Guthrie left Texas, leaving Mary behind, and joined the thousands of Okies who were migrating to California looking for work. Many of his songs are concerned with the conditions faced by these working class people.

"This song is Copyrighted in U.S., under Seal of Copyright #154085, for a period of 28 years, and anybody caught singin' it without our permission, will be mighty good friends of ourn, cause we don't give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do."
—Written by Guthrie in the late 1930s on a songbook distributed to listeners of his L.A. radio show "Woody and Lefty Lou" who wanted the words to his recordings.[14]


In the late 1930s, Guthrie achieved fame in Los Angeles, California, with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial "hillbilly" music and traditional folk music.[15] Guthrie was making enough money to send for his family still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat Frank Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads. It was at KFVD that Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about Thomas Mooney, a wrongly convicted man who was, at the time, a leftist cause célèbre.[16] Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and communists in Southern California, including Will Geer, who would remain Guthrie's lifelong friend, and helped Guthrie book benefit performances in the communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party",[17] he was never actually a member of the Party. He was, however, noted as a fellow traveleran outsider who agreed with the platform of the party while not subject to party discipline.[18] Despite this, Guthrie requested that he be allowed to write a column for the Communist newspaper The Daily Worker. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. Woody Sez was not explicitly political, but rather was about the current events Guthrie observed and experienced. The columns were written in an exaggerated hillbilly dialect and usually included a small comic,[19] and were published as a collection after Guthrie's death.[4] Steve Earle said of Woody, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times".[20]

With the outbreak of World War II and the nonaggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union, and both Robbin and Guthrie left the station.[21] Without the daily radio show, prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, the wanderlusting Guthrie soon after accepted Will Geer's invitation to come to New York City and headed east.

1940s: building a legacy

New York City

Arriving in New York, Guthrie, known as "the Oklahoma cowboy", was embraced by its leftist folk music community and slept on a couch in Will Geer's apartment. Guthrie made what were his first real recordingsseveral hours of conversation and songs that were recorded by folklorist Alan Lomax for the Library of Congressas well as an album, Dust Bowl Ballads, for Victor Records in Camden, New Jersey.[22]

Guthrie was tired of the radio overplaying Irving Berlin's "God Bless America". He thought the lyrics were unrealistic and complacent.[23] Partly inspired by his experiences during a cross-country trip and his distaste for God Bless America, he penned his most famous song, "This Land Is Your Land", in February 1940; it was subtitled "God Blessed America." The melody is based on the gospel song "Oh My Loving Brother", best-known as "Little Darling, Pal of Mine", sung by the country group The Carter Family. Guthrie signed the manuscript with the comment "All you can write is what you see, Woody G., N.Y., N.Y., N.Y.".[24] He protested against class inequality in the final verses:

In the squares of the city, In the shadow of a steeple;
By the relief office, I'd seen my people.
As they stood there hungry, I stood there asking,
Is this land made for you and me?
As I went walking, I saw a sign there,
And on the sign there, It said "no trespassing." [In another version, the sign reads "Private Property"]
But on the other side, it didn't say nothing!
That side was made for you and me.

These verses were often omitted in subsequent recordings, sometimes by Guthrie himself. Although the song was written in 1940, it was four years before he recorded it for Moses Asch in April 1944,[25] and even longer until sheet music was produced and given to schools by Howie Richmond.[26]

In March 1940, Guthrie was invited to play at a benefit hosted by The John Steinbeck Committee to Aid Farm Workers to raise money for Migrant Workers. It was at this concert Guthrie met Pete Seeger, and the two men became good friends.[27] Later, Seeger accompanied Guthrie back to Texas to meet other members of the Guthrie family and later recalled an awkward conversation with Mary Guthrie's mother in which she asked for Seeger's help in persuading Guthrie to treat her daughter better.[28]

Guthrie had some success in New York at this time as a guest on CBS's radio program Back Where I Come From and used his influence to get a spot on the show for his friend Huddie "Lead Belly" Ledbetter. Ledbetter's Tenth Street apartment was a gathering spot for the leftwing musician circle in New York at the time, and Guthrie and Ledbetter were good friends having busked together at bars in Harlem.[29]

In September 1940 Guthrie was invited by the Model Tobacco Company to host their radio program "Pipe Smoking Time". Guthrie was paid $180 a week, an impressive salary in 1940.[30] He was finally making enough money to send regular payments back to Mary, and eventually brought her and the children to New York, where the family lived in an apartment on Central Park West. The reunion represented Woody's desire to be a better father and husband. He said "I have to set [sic] real hard to think of being a dad".[30] Unfortunately for the newly relocated family, Guthrie quit after the seventh broadcast, claiming he had begun to feel the show was too restricting when he was told what to sing.[31] Disgruntled with New York, Guthrie packed up Mary and his children in a new car and headed west to California.[32]

Pacific Northwest

In May 1941, after a brief stay in Los Angeles, Guthrie moved the family north to the state of Washington on the promise of a job. A documentary, directed by Gunther von Fritsch, was being created in support of the Bonneville Power Administration's building of the Grand Coulee Dam on the Columbia River, and needed a narrator. Supported by a recommendation from Alan Lomax, the original idea was to have Guthrie narrate the film and sing songs onscreen. The original project was expected to take 12 months, but when filmmakers became worried about the implications of casting such a political figure, Guthrie's role was minimized. He was hired instead for one month only by the Department of the Interior to write songs about the Columbia River and the building of the federal dams for the documentary's soundtrack. While there Guthrie, toured the Columbia River and the Pacific Northwest. Guthrie said he "couldn't believe it, it's a paradise",[33], which appeared to inspire him creatively. In one month Guthrie wrote 26 songs, including three of his most famous: "Roll On Columbia", "Pastures of Plenty", and "Grand Coulee Dam".[34] The surviving songs were eventually released as Columbia River Songs. The film was never completed and was released only in a limited form.

At the conclusion of the month in Oregon and Washington, Guthrie wanted to return to New York. Tired of the continual uprooting, Mary Guthrie told him to go without her and the children.[35] Although Guthrie would see Mary again, once on a tour through Los Angeles with the Almanac Singers, it was essentially the end of their marriage. Divorce was difficult, since Mary was a member of the Catholic Church, but she reluctantly agreed in December 1943.[36]

Almanac Singers

Main article: Almanac Singers

Following the conclusion of his work in Washington State, Guthrie corresponded with Pete Seeger about Seeger's newly formed folk-protest group, the Almanac Singers. Guthrie returned to New York with plans to tour the country as a member of the group.[37] The singers originally worked out of a loft in New York City hosting regular concerts called hootenannys, a word Pete and Woody had picked up in their cross-country travels. The singers eventually outgrew the space and moved into the cooperative Almanac House in Greenwich Village.

Initially Guthrie helped write and sing what the Almanacs Singers termed "peace" songs; while the Nazi-Soviet Pact was in effect, until Hitler invaded the Soviet Union in June 1941, the Communist line was that World War II was a capitalist fraud. After Hitler's invasion of the Soviet Union the topics of their songs became anti-fascist. The members of the Almanac Singers and residents of the Almanac House were a loosely defined group of musicians, though the 'core' members included Guthrie, Pete Seeger, Millard Lampell and Lee Hays. In keeping with common socialist ideals, meals, chores and rent at the Almanac House were shared. The Sunday hootenannys were good opportunities to collect donation money for rent. Songs written in the Almanac House had shared songwriting credits among all the members, although in the case of "Union Maid", members would later state that Guthrie wrote the song, ensuring that his children would receive residuals.[38]

In the Almanac House Guthrie added an air of authenticity to their work since Guthrie was a "real" working class Oklahoman. "There was the heart of America personified in Woody....And for a New York Left that was primarily Jewish, first or second generation American, and was desperately trying to get Americanized, I think a figure like Woody was of great, great importance", a friend of the group, Irwin Silber, would say.[39] Woody would routinely emphasize his working class image, reject songs he felt were not in the country blues vein he was familiar with, and would rarely contribute to household chores. House member Agnes "Sis" Cunningham, another Okie, would later recall that Woody, "loved people to think of him as a real working class person and not an intellectual".[40] Guthrie contributed songwriting and authenticity in much the same capacity for Pete Seeger's post-Almanac Singers project People's Songs, a newsletter and booking organization for labor singers, founded in 1945.[41]

Bound for Glory

Guthrie was a prolific writer, penning thousands of pages of unpublished poems and prose, many written while living in New York City. After a recording session with Alan Lomax, Lomax suggested Guthrie write an autobiography; in Lomax's opinion, Guthrie's descriptions of growing up were some of the best accounts of American childhood he had read.[42] It was during this time that Guthrie met the dancer in New York who would become his second wife, Marjorie Mazia. Mazia was an instructor at the prestigious Martha Graham Dance School, where she was assisting Sophie Maslow with her piece Folksay. Based on the folklore and poetry collected by Carl Sandburg, Folskay included the adaptation of some of Guthrie's Dust Bowl Ballads for the dance studio.[43] Guthrie continued to write songs and began work on his autobiography. The end product, Bound For Glory was completed in no small part due to the patient editing assistance of Mazia and was first published by E.P. Dutton in 1943.[44] It is a vivid tale told in the artist's own down-home dialect, with the flair and imagery of a true storyteller. Library Journal complained about the "Too careful reproduction of illiterate speech."[45] But Clifton Fadiman, reviewing the book in the New York Times, paid the author a fine tribute: "Some day people are going to wake up to the fact that Woody Guthrie and the ten thousand songs that leap and tumble off the strings of his music box are a national possession like Yellowstone and Yosemite, and part of the best stuff this country has to show the world."[45] A film adaptation of Bound for Glory was released in 1976.[46]

The Asch recordings

In 1944, Guthrie met Moses "Moe" Asch of Folkways Records, for whom he first recorded "This Land Is Your Land", and over the next few years recorded "Worried Man Blues", along with hundreds of other songs. These recordings would later be released by Folkways and Stinson Records, which had joint distribution rights to the recordings.[47] The Folkways recordings are still available; the most complete series of these sessions, culled from dates with Asch, is titled simply The Asch Recordings.

World War II years

Guthrie believed performing his anti-fascist songs and poems at home were the best use of his talents; Guthrie lobbied the United States Army to accept him as a USO performer instead of conscripting him as a soldier in the draft. When Guthrie's attempts failed, his friends Cisco Houston and Jim Longhi pressured Guthrie to join the U.S. Merchant Marine.[48] Guthrie followed their advice: he served as a mess man and dishwasher, and frequently sang for the crew and troops to buoy their spirits on transatlantic voyages. Guthrie made attempts to write about his experience in the Merchant Marine, but was never satisfied with the results. Longhi later wrote about these experiences in his book Woody, Cisco and Me.[49] The book offers a rare first-hand account of Guthrie during his Merchant Marine service. In 1945, Guthrie's association with communism made him ineligible for further service in the Merchant Marine, and he was drafted into the U.S. Army.[50]

While he was on furlough from the Army, Guthrie and Marjorie were married.[51] After his discharge, they moved into a house on Mermaid Avenue in Coney Island, and over time had four children. One of their children, Cathy, died as a result of a fire at age four, sending Guthrie into a serious depression.[52] Their other children were named Joady, Nora and Arlo. Arlo followed in his father's footsteps as a singer-songwriter. During this period, Guthrie wrote and recorded, Songs to Grow on for Mother and Child, a collection of children's music, which includes the song "Goodnight Little Arlo (Goodnight Little Darlin')", written when Arlo was about nine years old.

A 1948 crash of a plane carrying 28 Mexican farm workers from Oakland, California in deportation back to Mexico inspired Woody to write "Deportee (Plane Wreck At Los Gatos)".[53]

Mermaid Avenue

The years living on Mermaid Avenue were among Guthrie's most productive periods as a writer. His extensive writings from this time were archived and maintained by Marjorie and later his estate, mostly handled by Guthrie's daughter, Nora. Several of the manuscripts contain scribblings by a young Arlo and the other Guthrie offspring.[54]

During this time Ramblin' Jack Elliott studied extensively under Guthrie, visiting his home and observing how he wrote and performed. Elliott, like Bob Dylan later, idolized Guthrie and was inspired by his idiomatic performance style and repertoire. Due to Guthrie's illness, Dylan and Guthrie's son Arlo later claimed they learned much of Guthrie's performance style from Elliott. When asked about Arlo's claim, Elliott said, "I was flattered. Dylan learned from me the same way I learned from Woody. Woody didn't teach me. He just said, If you want to learn something, just steal itthat's the way I learned from Lead Belly."[55]

1950s and 1960s

Deteriorating health

By the late 1940s, Guthrie's health was declining and his behavior was becoming extremely erratic. He received various diagnoses (including alcoholism and schizophrenia), but in 1952 it was finally determined that he was suffering from Huntington's disease, the genetic disorder inherited from his mother. Believing him to be a danger to their children, Marjorie suggested he return to California without her; they eventually divorced.[56]

Upon his return to California, Guthrie lived in a compound, owned by Will Geer, with blacklisted singers and actors waiting out the political climate. As his health worsened he met and married his third wife, Anneke Van Kirk, and they had a child, Lorina Lynn. The couple moved to Florida briefly, living in a bus on land owned by a friend. Guthrie's arm was hurt in a campfire accident when gasoline used to start the campfire exploded. Although he regained movement in the arm, he was never able to play the guitar again. In 1954 the couple returned to New York.[57] Shortly after, Anneke filed for divorce, a result of the strain of caring for Guthrie. Anneke left New York, allowing friends to adopt Lorina Lynn. After the divorce, Guthrie's second wife, Marjorie, re-entered his life; it was Marjorie who cared for him and assisted him until his death.

Guthrie, increasingly unable to control his muscle movements, was hospitalized at Greystone Park Psychiatric Hospital from 1956 to 1961, at Brooklyn State Hospital until 1966,[58] and finally at Creedmoor Psychiatric Center until his death.[59] Marjorie and the children visited Guthrie at Greystone every Sunday. They answered fan mail and played on the hospital grounds. Eventually a longtime fan of Guthrie invited the family to his nearby home for these Sunday visits lasting until Guthrie was moved to the Brooklyn State Hospital, which was closer to where Marjorie lived. Guthrie's illness was essentially untreated due to a lack of information about the disease at the time. However, his death helped raise awareness of the disease and led Marjorie to help found the Committee to Combat Huntington's Disease, which became the Huntington's Disease Society of America.[60] None of Guthrie's three remaining children with Marjorie have developed symptoms of Huntington's, but two of Mary Guthrie's children (Gwendolyn and Sue) suffered from the disease. Both died at 41 years of age.[61]

Folk revival and Guthrie's death

In the late 1950s and early 1960s, a new generation of young people were inspired by folk singers including Guthrie. These "folk revivalists" became more politically aware in their music than those of the previous generation. The American Folk Revival was beginning to take place, focused on the issues of the day, such as the civil rights movement and free speech movement. Pockets of folk singers were forming around the country in places such as Cambridge, Massachusetts and the Greenwich Village neighborhood of New York City. One of Guthrie's visitors at Greystone Park was the 19-year-old Bob Dylan [62] who idolized Guthrie. Dylan wrote of Guthrie's repertoire: "The songs themselves were really beyond category. They had the infinite sweep of humanity in them."[63] After learning of Guthrie's whereabouts, Bob Dylan regularly visited him.[64] Guthrie died of complications of Huntington's disease in 1967. By the time of his death, his work had been discovered by a new audience, introduced to them in part through Bob Dylan, Pete Seeger, Ramblin' Jack Elliott, his ex-wife Marjorie and other new members of the folk revival, and his son Arlo.

Musical legacy

''"I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing.

Because you are too old or too young or too fat or too slim too ugly or too this or too that. Songs that run you down or poke fun at you on account of your bad luck or hard traveling.

I am out to fight those songs to my very last breath of air and my last drop of blood. I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built.

I am out to sing the songs that make you take pride in yourself and in your work."[65]
—Guthrie on songwriting

Foundation and archives

Main article: Woody Guthrie Foundation

The Woody Guthrie Foundation is a non-profit organization that serves as administrator and caretaker of the Woody Guthrie Archives. The archive houses the largest collection of Guthrie material in the world.[66] Guthrie's unrecorded written lyrics housed at the Archives have been the starting point of several albums including the Wilco and Billy Bragg albums Mermaid Avenue and Mermaid Avenue Vol. II, created in 1998 sessions at the invitation of Guthrie's daughter Nora. [67] The Native American (Diné) trio Blackfire also interpreted previously unreleased Guthrie lyrics at Nora's invitation. [68]

Folk Festival

Main article: Woody Guthrie Folk Festival

The Woody Guthrie Folk Festival is held annually in mid-July to commemorate Guthrie's life and music. The festival is held on the weekend closest to Guthrie's birth date (July 14) in Guthrie's hometown of Okemah, Oklahoma. Planned and implemented annually by the Woody Guthrie Coalition, a non-profit corporation, the goal is simply to ensure Guthrie's musical legacy.[69][70] The Woody Guthrie Coalition commissioned a local Creek Indian sculptor to cast a full-body bronze statue of Guthrie and his guitar, complete with the guitar's well-known inscription: "This machine kills fascists".[71] The statue, sculpted by artist Dan Brook, stands along Okemah's main street in the heart of downtown and was unveiled the inaugural year of the festival.[72]

Jewish songs

Marjorie Mazia was born Marjorie Greenblatt and her mother, Aliza Greenblatt, was a well-known Yiddish poet. With her, Guthrie wrote numerous Jewish lyrics. Guthries Jewish lyrics can be traced to the unusual collaborative relationship he had with his mother-in-law, who lived across from Guthrie and his family in Brooklyn in the 1940s. Guthrie (the Oklahoma troubadour) and Greenblatt (the Jewish wordsmith) often discussed their artistic projects and critiqued each others works, finding common ground in their shared love of culture and social justice, despite very different backgrounds. Their collaboration flourished in 1940s Brooklyn, where Jewish culture was interwoven with music, modern dance, poetry and anti-fascist, pro-labor, classic socialist activism. Guthrie was inspired to write songs that came directly out of this unlikely relationship, both personal and political; he identified the problems of Jews with those of his fellow Okies and other oppressed peoples.

These lyrics were rediscovered by Nora Guthrie and were set to music by the Jewish Klezmer group The Klezmatics with the release of Happy Joyous Hanukkah on JMG Records in 2007. The Klezmatics also released Wonder Wheel  Lyrics by Woody Guthrie, an album of spiritual lyrics put to music composed by the band.[73] The album, produced by Danny Blume, was awarded a Grammy Award for Best Contemporary World Music Album.[74]


Since his death, artists have paid tribute to Guthrie by covering his songs or by dedicating songs to him. One of the first artists to do so was Scottish folk artist Donovan, who covered Guthrie's "Car, Car (Riding in My Car)" on his 1965 debut album What's Bin Did and What's Bin Hid.[75] On January 20, 1968, three months following Guthrie's death, Harold Leventhal produced A Tribute to Woody Guthrie at New York City's Carnegie Hall.[76] Performers included Jack Elliott, Pete Seeger, Tom Paxton, Bob Dylan and The Band, Judy Collins, Arlo Guthrie, Richie Havens, Odetta, and others. Leventhal repeated the tribute on September 12, 1970 at the Hollywood Bowl. Recordings of the two concerts were eventually compiled as an album.[77] The legendary Irish folk singer, Christy Moore, was also strongly influenced by Woody in his seminal 1970 album Prosperous, giving renditions of "The Ludlow Massacre" and Bob Dylan's "Song to Woody." Bruce Springsteen also performed a cover of Guthrie's "This Land is Your Land" on his live album Live 1975-1985. In the introduction to the song, Springsteen referred to it as "just about one of the most beautiful songs ever written."[78]

In September 1996 Cleveland's Rock and Roll Hall of Fame and Museum and Case Western Reserve University cohosted Hard Travelin': The Life and Legacy of Woody Guthrie, a 10-day conference of panel sessions, lectures, and concerts. The conference became the first in what would become the museum's annual American Music Masters Series conference.[79] Highlights included Arlo Guthrie's keynote address, a Saturday night musical jamboree at Cleveland's Odeon Theater, and a Sunday night concert at Severance Hall, the home of the Cleveland Orchestra.[80] Musicians performing over the course of the conference included Arlo Guthrie, Bruce Springsteen, Billy Bragg, Pete Seeger, Ramblin' Jack Elliott, the Indigo Girls, Ellis Paul, Jimmy LaFave, Ani DiFranco, and others.[81] In 1999, Wesleyan University Press published a collection of essays from the conference[82] and DiFranco's record label, Righteous Babe, released a compilation of the Severance Hall concert, 'Til We Outnumber 'Em, in 2000.[83]

From 1999 to 2002 the Smithsonian Institution Traveling Exhibition Service presented the traveling exhibit, This Land Is Your Land: The Life and Legacy of Woody Guthrie. In collaboration with Nora Guthrie, the Smithsonian exhibition draws from rarely seen objects, illustrations, film footage, and recorded performances to reveal a complex man who was at once poet, musician, protester, idealist, itinerant hobo, and folk legend.[84]

In 2003, Jimmy LaFave produced a Woody Guthrie tribute show called Ribbon of Highway, Endless Skyway. The ensemble show toured around the country and included a rotating cast of singer-songwriters individually performing Guthrie's songs. Interspersed between songs were Guthrie's philosophical writings read by a narrator. In addition to LaFave, members of the rotating cast included Ellis Paul, Slaid Cleaves, Eliza Gilkyson, Joel Rafael, husband-wife duo Sarah Lee Guthrie (Woody Guthrie's granddaughter) and Johnny Irion, Michael Fracasso, and The Burns Sisters. Oklahoma songwriter Bob Childers, sometimes called "the Dylan of the Dust", served as narrator.[85][86] When word spread about the tour, performers began contacting LaFave, whose only prerequisite was to have an inspirational connection to Guthrie. Each artist chose the Guthrie songs that he or she would perform as part of the tribute. LaFave said, "It works because all the performers are Guthrie enthusiasts in some form".[87] The inaugural performance of the Ribbon of Highway tour took place on February 5, 2003 at the Ryman Auditorium in Nashville. The abbreviated show was a featured segment of Nashville Sings Woody, yet another tribute concert to commemorate the music of Woody Guthrie held during the Folk Alliance Conference. The cast of Nashville Sings Woody, a benefit for the Woody Guthrie Foundation and Archives, also included Arlo Guthrie, Marty Stuart, Nanci Griffith, Guy Clark, Ramblin' Jack Elliott, Janis Ian, and others.[88]

Woody and Marjorie Guthrie were honored at a musical celebration featuring Billy Bragg and the band Brad on October 17, 2007 at Webster Hall in New York City. Steve Earle also performed. The event was hosted by actor/activist Tim Robbins to benefit the Huntington¹s Disease Society of America to commemorate the organization's 40th Anniversary.[89]

In 2006, Woody Sez: The Words, Music & Spirit of Woody Guthrie premiered at the Edinburgh Festival Fringe. Subsequently, the production, which features Broadway performer David Lutken in the title role, played the Brighton Fringe (where it received an Argus Angel Award), the Croydon Clocktower and Ruhrfestspeile, Recklinghausen. In 2009, it plays Brighton, Norwich and the Southbank in London, before returning to the Edinburgh Festival Fringe.

Posthumous honors

Pete Seeger had the sloop Woody Guthrie built for an organization he founded, the Hudson River Sloop Clearwater.[90] It was launched in 1978. Now operated by the Beacon Sloop Club, it serves to educate people about sailing and the history and environs of the Hudson River.

Although Guthrie's catalogue never brought him many awards while he was alive, in 1988 he was inducted into the Rock and Roll Hall of Fame, the same year Bob Dylan was inducted (Dylan's initial work was heavily influenced by Guthrie),[91] and in 2000 he was honored with the Grammy Lifetime Achievement Award.[92]

In 1987 "Roll On Columbia" was chosen as the official Washington State Folk Song,[93] and in 2001 Guthrie's "Oklahoma Hills" was chosen to be the official state folk song of Oklahoma.[14]

On September 26, 1992, The Peace Abbey, a multi-faith retreat center located in Sherborn, Massachusetts, awarded Guthrie their Courage of Conscience Award for his social activism and artistry in song which conveyed the plight of the common person.[94]

On June 26, 1998, as part of its Legends of American Music series, the United States Postal Service issued 45 million 32-cent stamps honoring folk musicians Huddie Ledbetter, Guthrie, Sonny Terry and Josh White. The four musicians were represented on sheets of 20 stamps.[95]

In 2006, The Klezmatics set Jewish lyrics written by Guthrie to music. The resulting album, Wonder Wheel, won the Grammy award for best contemporary world music album.[96]

On April 27, 2007, Guthrie was one of four Okemah natives inducted into Okemah's Hall of Fame during the town's Pioneer Day weekend of festivities.[97]

On February 10, 2008, The Live Wire: Woody Guthrie in Concert 1949, a rare live recording released in cooperation with the Woody Guthrie Foundation, was the recipient of a Grammy Award in the category Best Historical Album.[98][99]

Punk band The Casualties wrote "In It For Life", a tribute to Guthrie.

Selected discography

Main article: Woody Guthrie discography

Many Guthrie tracks have been repeatedly repackaged and reordered. Items here are listed in order of the most recent published date, not original recording date.[100]

Year Title Record Label
1940 Dust Bowl Ballads[101] Folkways Records
1972 Greatest Songs of Woody Guthrie[102] Vanguard
1987 Columbia River Collection[103] Rounder Records
1988 Folkways: The Original Vision (Woody and Leadbelly)[104] Smithsonian Folkways
1988 Library of Congress Recordings[105] Rounder Records
1989 Woody Guthrie Sings Folk Songs[106] Smithsonian Folkways
1990 Struggle[107] Smithsonian Folkways
1991 Cowboy Songs on Folkways[108] Smithsonian Folkways
1991 Songs to Grow on for Mother and Child[109] Smithsonian Folkways
1992 Nursery Days[110] Smithsonian Folkways
1994 Long Ways to Travel: The Unreleased Folkways Masters, 1944-1949[111] Smithsonian Folkways
1996 Almanac Singers UNI/MCA
1996 Ballads of Sacco & Vanzetti[112] Smithsonian Folkways
1997 This Land Is Your Land, The Asch Recordings, Vol.1[113] Smithsonian Folkways
1997 Muleskinner Blues, The Asch Recordings, Vol.2[114] Smithsonian Folkways
1998 Hard Travelin', The Asch Recordings, Vol.3[115] Smithsonian Folkways
1999 Buffalo Skinners, The Asch Recordings, Vol.4[116] Smithsonian Folkways
2007 The Live Wire: Woody Guthrie in Concert 1949[117] Woody Guthrie Publications

See also

  • List of songs by Woody Guthrie
  • List of albums by Woody Guthrie



  1. Canadian lyrics provided by the Manitoba Ministry of Education [1]Retrieved on June 2, 2009.
  2. Library of Congress. Related Material - Woody Guthrie Sound Recordings at the American Folklife Center. Retrieved on November 27, 2007.
  3. Alarik, Scott. Robert Burns unplugged. The Boston Globe, August 7, 2005. Retrieved on December 5, 2007.
  4. 4.0 4.1 Spivey, Christine A. This Land is Your land, This Land is My Land: Folk Music, Communism, and the Red Scare as a Part of the American Landscape. The Student Historical Journal 1996-1997, Loyola University New Orleans, 1996.
  5. 5.0 5.1 Reitwiesner, William Addams. Ancestry of Arlo Guthrie. Retrieved on November 7, 2007.
  6. Cray, Ramblin Man, p. 11
  7. Cray, Ramblin Man, p. 30
  8. Klein, Woody Guthrie, pp. 26, 32, 39
  9. Klein, Woody Guthrie, pp. 1, 4
  10. Guthrie's interview with Alan Lomax at the Library of Congress Recording Sessions, as recorded in Cray, Ramblin Man, p. 28. But in another interview 14 years later, Guthrie claimed he learned how to play harmonica from a boyhood friend, John Woods, and that his earlier story was false. ibid, p. 410.
  11. Cray, Ramblin Man, p. 28
  12. 12.0 12.1 Cray, Ramblin Man, p. 44
  13. Klein, Woody Guthrie, p. 62
  14. 14.0 14.1 Curtis, Gene. Only in Oklahoma: This man was our man. Tulsa World, March 17, 2007. Retrieved on November 6, 2007.
  15. Klein, Woody Guthrie, pp. 9092, 10312
  16. Cray, Ramblin Man, p. 139
  17. Woody Guthrie Archives. "My Constitution and Me" Woody Guthrie Archives Collection. Manuscripts Box 7 Folder 23.1, Unavailable online, link to Woody Guthrie Archives website for contact information.
  18. Cray, Ramblin Man, p. 151
  19. Cray, Ramblin Man, p. 153
  20. Corn, David. Jerusalem Calling, The Nation, October 17, 2002. Retrieved on November 7, 2007.
  21. Cray, Ramblin Man, p. 161
  22. Cray, Ramblin Man, p. 174
  23. Klein, Woody Guthrie, p. 144
  24. Cray, Ramblin Man, p. 165
  25. Klein, Woody Guthrie, p. 287
  26. Joe Klein, Woody Guthrie, p. 375
  27. Cray, Ramblin Man, p. 168
  28. Cray, Ramblin Man p. 188
  29. Cray, Ramblin Man, pp. 194, 195
  30. 30.0 30.1 Cray, Ramblin Man p. 197
  31. Cray, Ramblin Man p. 200
  32. Cray, Ramblin Man p. 199
  33. Cray, Ramblin Man, p. 209
  34. Klein, Woody Guthrie, pp. 195, 196, 202, 205, 212
  35. Cray, Ramblin Man, p. 213
  36. Cray, Ramblin Man, p. 266
  37. Klein, Woody Guthrie, p.192-93,195231
  38. Cray, Ramblin Man, p. 220
  39. Cray, Ramblin Man, p. 216
  40. Cray, Ramblin Man, p. 231
  41. People's Songs Inc. People's Songs Newsletter, Vol 1. No 1.. 1945. Old Town School of Folk Music resource center collection.
  42. Cray, Ramblin Man, p. 200, 201
  43. Cray, Ramblin Man, p. 200
  44. Amazon.com. Bound for Glory (Unknown Binding). Retrieved November 27, 2007.
  45. 45.0 45.1 LaBorie, Tim. Woody Guthrie biography. MusicianGuide.com. Retrieved on January 8, 2008.
  46. Internet Movie Database. Bound for Glory. Retrieved on November 26, 2007.
  47. Klein, Woody Guthrie, p. 417
  48. Klein, Woody Guthrie, pp. 27780, 28791
  49. Longhi, Jim (1997). "Woody, Cisco and Me", Random House.
  50. Klein, Woody Guthrie, pp. 30203
  51. Klein, Woody Guthrie, p. 312
  52. Klein, Woody Guthrie, p. 344351
  53. Klein, Woody Guthrie, p. 36465
  54. WoodyGuthrie.org. Woody Guthrie Archives. Retrieved on 2007-04-10.
  55. Mazor, Barry. Wall Street Journal Interview: 'A Cultural Conversation With Ramblin' Jack'. Retrieved on 2007-07-17.
  56. Klein, Woody Guthrie, p. 38894, 399
  57. Klein, Woody Guthrie, p. 41819
  58. Klein, Woody Guthrie, p. 43339
  59. Klein, Woody Guthrie, p. 460
  60. Arévalo J, Wojcieszek J, Conneally PM (June 2001). "Tracing Woody Guthrie and Huntington's disease". Semin Neurol 21 (2): 20923.
  61. Cray, Ramblin Man, p. 394
  62. Dylan, Chronicles, Volume One, p. 98.
  63. Dylan, Chronicles, Volume One, p. 244.
  64. Let Us Now Praise Little Men. Time Magazine (May 31, 1983). Retrieved on 2007-04-10.
  65. Cray, Ramblin Man, p. 285
  66. BMI News. 3rd Annual Woody Guthrie Fellowship Program Opens. September 21, 2007. Retrieved on November 13, 2007.
  67. DVD Talk. Nora Guthrie Interview. Retrieved on January 28, 2008
  68. CD Bay. CD Release Announcement. Retrieved on June 15, 2009.
  69. WoodyGuthrie.com. Woody Guthrie Coalition Board of Directors. Retrieved on September 27, 2007.
  70. Eshleman, Annette C. Concert Review - Woody Guthrie Folk Festival. Dirty Linen, #103, December 2002/January 2003. Retrieved on September 21, 2007.
  71. Dunbar-Ortiz, Roxanne. FindArticles.com. Bound for Glory - Indeed! Review of Ramblin' Man: The Life and Times of Woody Guthrie by Ed Cray. March 2005. Retrieved on September 17, 2007.
  72. 3rd Annual Woody Guthrie Free Folk Festival. July 1216, 2000. (Program booklet.)
  73. WoodyGuthrie.org. Happy Joyous Hanukkah & Wonder Wheel. Retrieved October 13, 2008.
  74. CDBaby.com. The Klezmatics: Wonder Wheel - lyrics by Woody Guthrie. Retrieved October 14, 2008.
  75. CD Universe. What's Bin Did And What's Bin Hid by Donovan. Retrieved on November 27, 2007.
  76. WoodyGuthrie.org. Harold Leventhal: The Fifth Weaver. Retrieved on November 14, 2007.
  77. The Band's website. Various Artists: A Tribute to Woody Guthrie, Part 1. Retrieved on November 14, 2007.
  78. Fretbase, Play Woody Guthrie's This Land is Your Land
  79. Rock and Roll Hall of Fame. American Music Masters Series. Retrieved February 12, 2008.
  80. Barden, Tom. The Rock and Roll Hall of Fame and Museum's American Masters Series: Woody Guthrie, 1996-Jimmie Rodgers, 1997-Robert Johnson, 1998.Journal of American Folklore, Vol. 112, No. 446, (Autumn 1999), p.551-4. Retrieved February 12, 2008
  81. Robicheau, Paul. Ellis Pauls got Woody Guthrie under his skin. Boston Globe, September 20, 1996.
  82. Santelli, Robert. Hard Travelin': The Life and Legacy of Woody Guthrie, Wesleyan University Press, 1999. ISBN 0819563919
  83. Righteous Babe Website. Till we Outnumber 'Em track listing.Retrieved on April 9, 2007.
  84. Smithsonian Institution Traveling Exhibition Service. Archive: Past Exhibitions. Retrieved on November 13, 2007.
  85. Propaganda Media Group, Inc. Ribbon of Highway - Endless Skyway: Concert in the Spirit of Woody Guthrie. Retrieved on February 6, 2007.
  86. RibbonofHighway.com. Ribbon of Highway, Endless Skyway website. Retrieved on January 25, 2007.
  87. Martinez, Rebekah. Tribute to Woody Guthrie Tour makes a stop in Conroe Feb. 16, The Courier, (Conroe, TX.), February 7, 2003. Retrieved on February 7, 2007.
  88. Fairleigh Dickinson University. 15th Annual Folk Alliance Conference: Nashville Sings Woody. Retrieved on February 6, 2007.
  89. BrooklynVegan.com.Woody Guthrie Benefit @ Webster Hall. Retrieved on November 8, 2007.
  90. Beacon Sloop Club Retrieved 2008-08-28
  91. Rock and Roll Hall of Fame website. Woody Guthrie biography. Retrieved on November 3, 2007.
  92. Grammy Foundation website. Grammy Lifetime Achievement Awards - Past Recipients. Retrieved on November 3, 2007.
  93. Netstate.com. The Washington State Folk Song. Retrieved on November 27, 2007.
  94. The Peace Abbey. The Courage of Conscience Award. Retrieved April 15, 2008.
  95. United States Postal Service. Legends of American Music. June 26, 1998. Retrieved on January 7, 2008.
  96. CD Baby: THE KLEZMATICS: Wonder Wheel  lyrics by Woody Guthrie. Cdbaby.com. Retrieved on 2008-12-26.
  97. Elliott, Matt. Hometown honor for Guthrie, 3 others. Tulsa World, April 11, 2007, p. A2. Retrieved on January 9, 2007.
  98. Grammy.com. 50th annual Grammy Awards Nomination List. (see "Category 91".) Retrieved on February 8, 2008.
  99. Himes, Geoffrey. Dead 40 Years, Woody Guthrie Stays Busy. The New York Times, September 2, 2007. Retrieved on February 8, 2008.
  100. WoodyGuthrie.org. Selected Discography. Retrieved on November 14, 2007.
  101. Smithsonian Folkways. Dust Bowl Ballads. FW05212 1964. Retrieved on November 11, 2007
  102. Vanguard Records. Greatest Songs of Woody Guthrie. Retrieved on November 11, 2007
  103. Rounder Records. Columbia River Collection. Retrieved on November 11, 2007
  104. Smithsonian Folkways. Folkways: The Original Vision (Woody and Leadbelly). SFW40000 2005 Retrieved on November 11, 2007
  105. Rounder Records. Library of Congress Recordings. Retrieved on November 11, 2007
  106. Smithsonian Folkways. Woody Guthrie Sings Folk Songs. 'SFW40007 1989'. Retrieved on November 11, 2007
  107. Smithsonian Folkways. Struggle. SFW40025 1990. Retrieved on November 11, 2007
  108. Smithsonian Folkways. Cowboy Songs on Folkways. SFW40043 1991. Retrieved on November 11, 2007
  109. Smithsonian Folkways Songs to Grow on for Mother and Child. SFW45035 1991. Retrieved on November 11, 2007
  110. Smithsonian Folkways. Nursery Days. SFW45036 1992. Retrieved on November 11, 2007
  111. Smithsonian Folkways. Long Ways to Travel: The Unreleased Folkways Masters, 1944-1949. SFW40046 1994. Retrieved on November 11, 2007
  112. Smithsonian Folkways. Ballads of Sacco & Vanzetti. SFW40060 1996. Retrieved on November 11, 2007
  113. Smithsonian Folkways. This Land Is Your Land, The Asch Recordings, Vol.1 SFW40100 1997. Retrieved on November 11, 2007
  114. Smithsonian Folkways. This Land Is Your Land, The Asch Recordings, Vol. 2. SFW40101 1997. Retrieved on November 11, 2007
  115. Smithsonian Folkways. This Land Is Your Land, The Asch Recordings, Vol. 3. Retrieved on November 11, 2007
  116. Smithsonian Folkways. This Land Is Your Land, The Asch Recordings, Vol. 4. Retrieved November 15, 2007
  117. Woody Guthrie Publications. The Live Wire: Woody Guthrie in Performance 1949. Retrieved on November 15, 2007

Printed sources

  • Cray, Ed (2004). Ramblin Man: The Life and Times of Woody Guthrie, W. W. Norton & Company.
  • Longhi, Jim (1997). "Woody, Cisco and Me", Random House.
  • Klein, Joe (1980). "Woody Guthrie: A Life", Random House.
  • Santelli, Robert (1999). "Hard Travelin: The Life and Legacy of Woody Guthrie", Wesleyan University Press.

Further reading/listening

  • Hogeland, William (March 14, 2004), Emulating the Real and Vital Guthrie, Not St. Woody, New York Times.
  • Down Home Radio Show. LeadBelly & Woody Guthrie live on WNYC Radio, Dec. 1940. Audio re-broadcast of a 1940 radio show. Retrieved on January 29, 2008.
  • Earle, Steve. Woody Guthrie. The Nation, July 21, 2003. Retrieved on January 29, 2008.
  • Electronic Frontier Foundation. Scanned images of some of Woody Guthrie's original works. Retrieved on January 29, 2008.
  • Jackson, Mark Allen. Prophet Singer: The Voice and Vision of Woody Guthrie. University Press of Mississippi, January, 2007. ISBN 978-1-60473-102-6
  • La Chapelle, Peter. Is Country Music Inherently Conservative? History News Network. Nov. 12, 2007. Retrieved on January 29, 2008.
  • La Chapelle, Peter. Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. University of California Press, 2007. ISBN 978-0-520-24888-5 (hb); ISBN 978-0-520-24889-2 (pb)
  • Library of Congress. Timeline of Woody Guthrie (1912-1967). Retrieved on January 29, 2008.
  • Library of Congress. Woody Guthrie and the Archive of American Folk Song: Correspondence, 1940-1950. Retrieved on January 29, 2008.
  • Marroquin, Danny. Walking the Long Road. PopMatters.com. Aug. 4, 2006. Retrieved on January 29, 2008.
  • Public Broadcasting Service. Woody Guthrie: Ain't Got No Home. Documentary from PBS' American Masters series, July 2006. Retrieved on January 29, 2008.
  • University of Oregon. Roll On Columbia: Woody Guthrie and the Bonneville Power Administration. Video documentary. Retrieved on January 29, 2008.
  • University of Virginia. Guthrie singing "This Land Is Your Land". MP3 recording. Retrieved on January 29, 2008.
  • Symphony Silicon Valley Concert Recordings. David Amram's Symphonic Variations on a Song by Woody Guthrie Recorded September 30, 2007. Audio recording. Retrieved on January 11, 2008.
  • WoodyGuthrie.de. Woody Guthrie Related Audio. Miscellaneous Real Audio files featuring Pete Seeger, Arlo Guthrie, Alan Lomax and others. Retrieved on January 29, 2008.

External links

Find more information on Woody Guthrie by searching Wikipedia's sister projects:

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  • http://www.beaconsloopclub.org/ The Hudson River Sloop "Woody Guthrie" takes people out on the river at no cost in Pete Seeger's neighborhood of Beacon, NY
  • Video Documentary of Woody Guthrie's Time at Greystone Asylum in New Jersey
  • The Woody Guthrie Foundation and Archives
  • The Woody Guthrie Folk Festival
  • Woody Guthrie's Discography on Folkways
  • Songfacts interview with Anna Canoni (Guthrie's granddaughter)
  • Works by or about Woody Guthrie in libraries (WorldCat catalog)
This page was last modified 16.08.2009 19:42:31

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