Rudy Van Gelder

Rudy Van Gelder

born on 2/11/1924 in Jersey City, NJ, United States

died on 25/8/2016 in Englewood Cliffs, NY, United States

Rudy Van Gelder

From Wikipedia, the free encyclopedia.

Rudy Van Gelder (born 2 November 1924, Jersey City, New Jersey) is an American recording engineer specializing in jazz.

Often regarded as one of the most important recording engineers in music history,[1] Van Gelder has recorded several thousand jazz sessions, including many widely recognized as classics, in a career spanning more than half a century.Van Gelder has recorded many of the great names in the genre, including Miles Davis, Thelonious Monk, Sonny Rollins, Joe Henderson, Grant Green, Wayne Shorter, John Coltrane, and many others. He worked with many record companies, but he is most closely associated with Blue Note Records.

Early career

Van Gelder's interest in microphones and electronics can be traced to a youthful enthusiasm for amateur radio. A longtime jazz fan (his uncle, for whom Rudy was named, had been drummer for Ted Lewis's band in the mid-1930s), Van Gelder himself had lessons on trumpet.[2] In 1946, Van Gelder recorded friends in his parents' Hackensack, New Jersey house, in which his parents had a special control room designed and built.[2][3] "When I first started, I was interested in improving the quality of the playback equipment I had", Van Gelder commented in 2005. "I never was really happy with what I heard. I always assumed the records made by the big companies sounded better than what I could reproduce. So that's how I got interested in the process. I acquired everything I could to play back audio: speakers, turntables, amplifiers".[4] One of Van Gelder's friends, baritone saxophonist Gil Mellé, introduced him to Blue Note Records producer Alfred Lion around 1952.

Within a few years Van Gelder was in demand by many other independent labels based around New York, including Prestige Records and Savoy Records. Bob Weinstock, owner of Prestige, recalled in 1999, "Rudy was very much an asset. His rates were fair and he didnt waste time. When you arrived at his studio he was prepared. His equipment was always ahead of its time and he was a genius when it came to recording."[5]

The 1950s also saw Van Gelder do engineering and mastering work for the classical label Vox Records.[6]

Full-time career as recording engineer

Until the late 1950s Van Gelder worked during the day as an optometrist.[7] In the summer of 1959, Van Gelder moved his operations to a larger studio in Englewood Cliffs, a few miles south east of the original location,[8] and left his day job in favor of recording full-time. The new studios' structure was inspired by the work of Frank Lloyd Wright and bore some resemblance to a chapel, with high ceilings and fine acoustics.

In the mid-1950s, Thelonious Monk composed a tribute to Van Gelder called "Hackensack." It was in Englewood Cliffs where John Coltrane recorded his A Love Supreme album for Impulse! Records in 1964. Other labels, such as Verve Records, made use of the new facility while Blue Note and Prestige continued their associations with Van Gelder for several years.

Associations decline and later career

In 1967, Alfred Lion retired from running Blue Note, and the company's owners, Liberty Records (from 1965), began to use other engineers more regularly. Prestige, too, had started to use other studios a few years earlier. Van Gelder remained active in music, most notably as the engineer for most of Creed Taylor's CTI Records releases, a series of proto-smooth jazz albums that were financially successful but not always well received by critics.

Though his output slowed, Van Gelder still remains active as a recording engineer. In the late 90's he worked as a recording engineer for some of the songs featured on the soundtrack to the TV Show Cowboy Bebop.[9] Since 1999, he has been busy remastering the analog Blue Note recordings he made several decades ago into 24-bit digital recordings in its ongoing RVG Edition series,[10] and also for a similar series of re-masters featuring some of the Prestige albums he recorded for its current owners, Concord Records.

Van Gelder still resides in Englewood Cliffs.[11]

The Van Gelder 'sound'

Van Gelder was secretive about his recording methods, leading to much speculation among fans and critics about particular details. His recording techniques are often admired for their warmth and presence. Some critics, however, have also expressed distaste for the thin and recessed sound of the instruments, mainly the piano. Richard Cook called Van Gelder's characteristic method of recording and mixing the piano "as distinctive as the pianists' playing" itself. Blue Note president and producer Alfred Lion criticized Van Gelder for what Lion felt was his occasional overuse of reverb, and would jokingly refer to this trait as a "Rudy special" on tape boxes.[12] Despite his dominance in recorded jazz, some artists avoided Van Gelder's studio. Bassist and composer Charles Mingus refused to record with Van Gelder, stating "[Van Gelder] changes people's sounds".[13]

Awards and Honors

Van Gelder was named a fellow of the Audio Engineering Society (AES) in 2009. In 2013, he received the Society's most prestigious award, the AES Gold Medal.


  1. [Rudy Van Gelder at All Music Guide "Rudy Van Gelder"] by Steve Huey for; URL accessed 31 July 2007
  2. 2.0 2.1 Dan Skea "Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950s", Musicological Studies, 71/72, Spring 2001-Spring 2002, p.54-76, 56, 57
  3. Davis, Miles, (with Quincy Troupe), Miles, the autobiography, New York : Simon and Schuster, 1989. ISBN 0-671-63504-2. Cf. pp.176-177 on Rudy Van Gelder's recording studio in Hackensack.
  4. Jeff Forlenza "Who Cares About Quality? Rudy Van Gelder!" Mix, 1 May 2005
  5. In "The Prestige Story" liner notes quoted by Ira Gitler "Vangelders Studio", Jazz Times, April 2001
  6. Vox LP liner notes and dead wax (matrix) stamps and etchings, LPs STPL 58.520, STPL 514.070, STPL 512.730, STPL 510.330, STPL 511.110
  7. "Rudy Van Gelder", Biographical article at the All About Jazz website, 1 December 2007
  8. Gitler, Ira, "Vangelders Studio", JazzTimes magazine, April 2001
  9. Cowboy Bebop soundtrack liner notes
  10. Rudy Van Gelder Series
  11. The State of Jazz: Meet 40 More Jersey Greats, The Star-Ledger, September 28, 2004
  12. Cook, Richard. Blue Note Records: The Biography. Boston: Justin Charles, 2003; ISBN 1-932112-10-3
  13. MINGUS: A Critical Biography by Brian Priestley, Da Capo Press (April 1, 1984), 340 pages, ISBN 0-306-80217-1

External links

  • In Conversation with Rudy Van Gelder by Andy Karp (
  • Susan Stamberg visits the recording studio of Rudy Van Gelder. 15:10 (

This page was last modified 26.01.2014 09:28:32

This article uses material from the article Rudy Van Gelder from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.