David Gilmour

David Gilmour - © en.wikipedia.org

born on 6/3/1946 in Grantchester Meadows, Cambridge, United Kingdom

David Gilmour

From Wikipedia, the free encyclopedia.

David Jon Gilmour, CBE (born 6 March 1946) is an English guitarist, singer and songwriter best known as a longtime member of the progressive rock band Pink Floyd. He joined group as guitarist and co-lead vocalist in 1968, effectively as a replacement for founder member Syd Barrett, who was dismissed from the band shortly afterwards.[1]

Pink Floyd subsequently achieved international success with the concept albums The Dark Side of the Moon, Wish You Were Here, Animals, and The Wall. By the early 1980s, they had become one of the most critically acclaimed and best-selling acts in the history of popular music; it was estimated that by 2012 the band had sold over 250 million records worldwide, including 75 million units sold in the United States.[2] Following the departure of another founder member, Roger Waters, Gilmour assumed leadership of Pink Floyd in 1985.

In addition to his work with Pink Floyd, Gilmour has produced a variety of artists, for example the Dream Academy, and has had a solo career which has included four studio albums: David Gilmour, About Face, On an Island, and Rattle That Lock. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Fame in 1996, and the UK Music Hall of Fame in 2005. In 2005, Gilmour was made a Commander of the Order of the British Empire (CBE) for his services to music.[3] He was awarded with the Outstanding Contribution title at the 2008 Q Awards.[4] In 2011, Rolling Stone magazine ranked him number 14 in their list of the greatest guitarists of all time.[5] Additionally, Gilmour was voted number 36 in the greatest voices in rock by Planet Rock listeners in 2009.[6]

He has taken part in projects to promote international charities related to such subjects as animal rights, homelessness, poverty, environmentalism, wildlife conservation, human rights, and music therapy. He has married twice and is the father of eight children.

Early life and education

David Jon Gilmour was born on 6 March 1946 in Cambridge, England.[7] His father, Douglas Gilmour, eventually became a senior lecturer in zoology at the University of Cambridge, and his mother, Sylvia (née Wilson), trained as a teacher and later worked as a film editor for the BBC.[8] At the time of Gilmour's birth they lived in Trumpington, Cambridgeshire, but in 1956, after several relocations, the couple moved their family to Grantchester Meadows.[9][n 1]

Gilmour's parents encouraged him to pursue his interest in music, and in 1954 he bought his first single, Bill Haley's "Rock Around the Clock".[11] His enthusiasm for music was stirred the following year by Elvis Presley's "Heartbreak Hotel", and later "Bye Bye Love" by the Everly Brothers piqued his interest in the guitar. He then borrowed one from his neighbour, but never gave it back. Soon afterward, he started teaching himself to play using a book and record set by Pete Seeger.[12] At age 11, Gilmour began attending the Perse School on Hills Road, Cambridge, which he "didn't enjoy".[13] While there he met future Pink Floyd guitarist Syd Barrett and bass guitarist Roger Waters, who attended Cambridgeshire High School for Boys, which was also situated on Hills Road.[14]

In 1962, Gilmour began studying A-Level modern languages at Cambridge Technical College.[13] Despite not finishing the course, he eventually learnt to speak fluent French.[13] Barrett was also a student at the college, and he spent his lunchtimes practising guitar with Gilmour.[13] In late 1962, Gilmour joined the blues rock band Jokers Wild. They recorded a one-sided album and a single at Regent Sound Studio, in west London, but only fifty copies of each were made.[13] In August 1965, Gilmour busked around Spain and France with Barrett and some other friends, performing songs by the Beatles. They were not very successful, getting arrested on one occasion and living a virtually hand-to-mouth existence, which resulted in Gilmour requiring treatment in a hospital for malnutrition.[15] He and Barrett later trekked to Paris, where they camped outside the city for a week and visited the Louvre.[16] During that time Gilmour worked in various places, most notably as the driver and assistant for fashion designer Ossie Clark.[17]

Gilmour travelled to France in mid-1967 with Rick Wills and Willie Wilson, formerly of Jokers Wild. The trio performed under the band name Flowers, then Bullitt, but they were not commercially successful. After hearing their uninspired covers of current chart hits, club owners were reluctant to pay them, and soon after their arrival in Paris, thieves stole their equipment.[18] While in France, Gilmour contributed—as a session musician—lead vocals to two songs on the soundtrack of the film Two Weeks in September, starring Brigitte Bardot.[8] In May, Gilmour briefly returned to London in search of new gear. During his stay, he watched Pink Floyd record "See Emily Play" and was shocked to find that Barrett did not seem to recognise him.[19] When Bullitt returned to England later that year, they were so impoverished that their tour bus was completely empty of petrol and they had to push it off the ferry.[18]

Pink Floyd

In late December 1967, drummer Nick Mason approached Gilmour and asked him if he would be interested in joining Pink Floyd. He accepted and soon afterward became their fifth member; they initially intended to continue with Barrett as a non-performing songwriter.[20] One of the group's business partners, Peter Jenner, commented: "The idea was that Dave would ... cover for Barrett's eccentricities and when that got to be not workable, Syd was just going to write. Just to try to keep him involved".[21] By March 1968, working with Barrett had become too difficult, so Pink Floyd met with business partners Jenner and Andrew King to discuss the situation.[22] During the meeting, Barrett agreed to leave the band and the others committed to moving on without him.[23] Waters later admitted: "He was our friend, but most of the time we now wanted to strangle him".[24] Jenner and King, who believed Barrett to be the creative genius of the band, decided to represent him and end their relationship with Pink Floyd.[25]

After Barrett's departure, Gilmour sang much of Pink Floyd's lead vocals; Waters and keyboardist Richard Wright also occasionally sang lead. After the successes of The Dark Side of the Moon and Wish You Were Here, Waters took greater control of the band, writing and singing lead on most of Animals and The Wall. Wright was fired during the sessions for The Wall, and the relationship between Gilmour and Waters would further deteriorate during the making of the eponymous film, and later during recording sessions for The Final Cut. The last band performance of The Wall took place on 16 June 1981, at Earl's Court, London; it was Pink Floyd's last appearance with Waters until the band's reunion on 2 July 2005, at the Live 8 concert in London's Hyde Park, 24 years later.[26]

By the late 1970s, Gilmour began to think that his musical talents were being underused by Pink Floyd, so in 1978 he channelled his ideas into the eponymous solo album, David Gilmour, which showcased his guitar playing and songwriting skills. Music written during the finishing stages of the album, but too late to be used, was incorporated into a song by Waters, which became "Comfortably Numb", which was included on The Wall.[27] The negative atmosphere surrounding the creation of The Wall album and subsequent film, compounded by The Final Cut's virtually being a Roger Waters solo album, led Gilmour to produce his second solo album, About Face, in 1984.[28] He used it to express his feelings about a range of topics, from the murder of John Lennon[28] to his relationship with Waters. He has since admitted that he also used the album to distance himself from Pink Floyd. He toured Europe and the US along with support act the Television Personalities, who were promptly dropped from the line-up after Dan Treacy unwisely revealed Syd Barrett's address on stage.[29] Mason also made a guest appearance on the UK leg of the tour, which despite some cancellations eventually turned a profit.[30] When he returned from touring, Gilmour played guitar with a range of artists, and also produced the Dream Academy, who had a US top ten hit with "Life in a Northern Town" in 1986.[31]

In 1985, Waters declared that Pink Floyd were "a spent force creatively".[32] Gilmour and Mason responded with a press release stating that Waters had quit the band and they intended to continue without him.[33] Gilmour assumed full control of the group and produced A Momentary Lapse of Reason in 1987, with some contributions from Mason and Richard Wright.[28] Wright officially rejoined the band after the release of the album for a lengthy world tour and helped create 1994's The Division Bell.[28] Gilmour explained: "I had a number of problems with the direction of the band in our recent past, before Roger left. I thought the songs were very wordy and that, because the specific meanings of those words were so important, the music became a mere vehicle for lyrics, and not a very inspiring one. Dark Side of the Moon and Wish You Were Here were so successful not just because of Roger's contributions, but also because there was a better balance between the music and the lyrics than there has been in more recent albums. That's what I'm trying to do with A Momentary Lapse of Reason; more focus on the music, restore the balance." In 1986, Gilmour purchased the houseboat Astoria, moored it on the River Thames near Hampton Court and transformed it into a recording studio.[34] The majority of the two Pink Floyd albums released about this time, as well as Gilmour's 2006 solo release On an Island, were recorded there.[35]

On 2 July 2005, Gilmour played with Pink Floyd—including Roger Waters—at Live 8. The performance caused a temporary sales increase of Pink Floyd's album Echoes: The Best of Pink Floyd.[36] Gilmour donated all of his resulting profits to charities that reflect the goals of Live 8 saying: "Though the main objective has been to raise consciousness and put pressure on the G8 leaders, I will not profit from the concert. This is money that should be used to save lives."[36] Shortly after, he called upon all artists experiencing a surge in sales from Live 8 performances to donate the extra revenue to Live 8 fund-raising. After the Live 8 concert, Pink Floyd were offered £150 million to tour the US, but the band turned down the offer.[37]

On 3 February 2006, he announced in an interview with the Italian newspaper La Repubblica that Pink Floyd would most likely never tour or write material together again. He said: "I think enough is enough. I am 60 years old. I don't have the will to work as much any more. Pink Floyd was an important part in my life, I have had a wonderful time, but it's over. For me it's much less complicated to work alone."[38]

Regarding agreeing to play at Live 8, he said: "There was more than one reason, firstly to support the cause. The second one is the energy-consuming and uncomfortable relationship between Roger and me that I was carrying along in my heart. That is why we wanted to perform and to leave the trash behind. Thirdly, I might have regretted it if I declined." On 20 February 2006, Gilmour commented again on Pink Floyd's future when he was interviewed by Billboard.com, stating, "Who knows? I have no plans at all to do that. My plans are to do my concerts and put my solo record out."

In December 2006, Gilmour released a tribute to Syd Barrett, who had died on 7 July of that year, in the form of his own version of Pink Floyd's first single "Arnold Layne".[39] Recorded live at London's Royal Albert Hall, the single featured versions of the song performed by Richard Wright and special guest artist David Bowie.[39] The single peaked on the UK Top 20 singles chart at number nineteen.[40]

Since their Live 8 appearance in 2005, Gilmour has repeatedly said that there will be no Pink Floyd reunion. With the death of Pink Floyd keyboardist Richard Wright in September 2008, another reunion of the core group members became impossible.[41] After Wright's death, his surviving former bandmates praised him for his influence on the sound of Pink Floyd. Gilmour said of Wright: "In the welter of arguments about who or what was Pink Floyd, Rick's enormous input was frequently forgotten. He was gentle, unassuming and private but his soulful voice and playing were vital, magical components of our most recognised Pink Floyd sound. Like Rick, I don't find it easy to express my feelings in words, but I loved him and will miss him enormously. I have never played with anyone quite like him."[42]

Roy Harper

Gilmour has a long-standing association with Roy Harper, who was for a time managed by Pink Floyd's former managers Blackhill Enterprises, recorded for the same label, Harvest Records, and who appeared on the same bill as Pink Floyd at 1968's Midsummer High Weekend free concert in Hyde Park.[28] Harper sang "Have a Cigar" on Pink Floyd's 1975 Wish You Were Here album, and sang the song with them at that year's Knebworth Festival.[28] Gilmour played on Harper's album's HQ (1975), The Unknown Soldier (1980) and Once (1990).[28] Five of the ten songs on the second of these were co-compositions, one of which, "Short and Sweet", was first recorded for Gilmour's first solo album.[28] Another, "You", also features Kate Bush, as does the title track on Once.[28] In April 1984, Harper made surprise guest appearance at Gilmour's The Hammersmith Odeon to sing "Short and Sweet".[28] This was included in Gilmour's Live 1984 concert film. Harper also provided backing vocals on Gilmour's About Face album.[28]

While writing for About Face, Gilmour had a tune, and asked Pete Townshend of The Who to supply lyrics. This Townshend did, but Gilmour rejected them (Townshend would use both tune and lyrics, as ""White City Fighting", on his 1985 White City: A Novel album, which features Gilmour on that track, and on Give Blood). Gilmour then asked Harper for lyrics, but rejected those also, deciding not to use the tune on the album after all. Eventually Harper used his version, "Hope", which has a markedly slower tempo, on his 1985 album with Jimmy Page, called Whatever Happened to Jugula?.[28] The guitar on that track is by Harper's son, Nick Harper.

Kate Bush

Gilmour was responsible for bringing Kate Bush to public attention. While she was still at school, her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. Gilmour received a copy of the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped the sixteen-year-old Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies.[43] Three tracks in total were recorded and paid for by Gilmour.[44] The tape was produced by Gilmour's friend Andrew Powell (who would go on to produce Bush's first two albums) and sound engineer Geoff Emerick.[45] Gilmour then arranged for EMI executive Terry Slater to hear the tape.[46] Slater was impressed by the tape and signed her.[47]

Gilmour is credited as executive producer on two tracks on her debut album The Kick Inside, including her second single "The Man with the Child in His Eyes".[28] He performs backing vocals on "Pull Out the Pin", on her fourth album, The Dreaming,[28] and plays guitar on "Love and Anger" and "Rocket's Tail" on her sixth, The Sensual World.[28]

In March 1987, Bush, notorious for the paucity of her live performances, sang "Running Up That Hill" at The Secret Policeman's Third Ball with Gilmour on guitar.[28] A three DVD set of The Secret Policeman's Balls benefit concerts that includes their performance was released in 2009.[48] In 2002, she performed "Comfortably Numb", singing the part of the doctor, at Gilmour's concert at the Royal Festival Hall in London.

Solo projects

Gilmour has recorded four solo albums, all four of which have charted in the US Top 40: 2006's On an Island peaked at No. 6 in 2006, 2008's Live in Gdansk peaked at No. 26, his 1978 self-titled solo debut peaked at No. 29 in 1978, and 1984's About Face peaked at No. 32 in 1984.

Taking time off from Pink Floyd's schedule, Gilmour also took up various roles as a record producer, sideman and even concert sound engineer[28] for a wide variety of acts which included[28] former bandmate Syd Barrett, Unicorn, Paul McCartney, Berlin, John Martyn, Arcadia, Grace Jones, Tom Jones, Elton John, Eric Clapton, B.B. King, Seal, Sam Brown, Jools Holland, The Who, Supertramp, Levon Helm, Robbie Robertson, Alan Parsons, Peter Cetera and various charity groups among others.

In 1985, Gilmour played on Bryan Ferry's sixth album Boys and Girls, as well as the song "Is Your Love Strong Enough" for the US release of the Ridley Scott-Tom Cruise film Legend. A music video for the latter was created, incorporating Ferry and Gilmour into footage from the film[28] (released as a bonus on the 2002 "Ultimate Edition" DVD release). Later that year, Gilmour played with Ferry at the London Live Aid concert;[28] his first collaboration with Ferry's keyboardist Jon Carin, later to tour with Pink Floyd.


In 2001 and 2002, Gilmour performed a total of six acoustic solo concerts in London and Paris, along with a small band and choir, which was documented on the In Concert release.[49] On 24 September 2004, he performed a three-song set at the Strat Pack concert at London's Wembley Arena, marking the 50th anniversary of the Fender Stratocaster guitar.[50]

On 6 March 2006, Gilmour's 60th birthday, he released his third solo album, On an Island.[51] It debuted at number 1 in the UK charts,[52] and reached the top five in Germany and Sweden.[53] The album earned Gilmour his first US top-ten as a solo artist, reaching number six in Billboard 200.[54] Produced by Gilmour along with Phil Manzanera and Chris Thomas, the album features orchestrations by renowned Polish composer Zbigniew Preisner,[55] and lyrics principally written by Gilmour's wife Polly Samson. The album featured David Crosby and Graham Nash performing backing vocals on the title-track, Robert Wyatt on cornet and percussion, and Richard Wright on Hammond organ and providing backing vocals.[56] Other contributors included Jools Holland, Georgie Fame, Andy Newmark, B. J. Cole, Chris Stainton, Willie Wilson, Rado 'Bob' Klose on guitar and Leszek Możdżer on piano.[55] The album also featured Gilmour's debut with the saxophone.[56] Gilmour toured Europe, US and Canada from 10 March to 31 May 2006 to promote On an Island. There were ten shows in the US and Canadian leg of the tour. Pink Floyd alumnus Richard Wright, and frequent Floyd collaborators Dick Parry, Guy Pratt, and Jon Carin also accompanied him on the tour. More shows took place in Europe from July to August in 2006.[57] In a press release to promote the tour, Gilmour stated: "I'm rather hoping that with this tour announcement, people will believe me when I say, honestly, this is the only band I plan to tour with!"[58]

On 10 April 2006, On an Island was certified platinum in Canada, with sales of over 100,000 copies. A video recording of a show from Gilmour's solo tour, titled Remember That Night – Live at the Royal Albert Hall, was released on 17 September 2007.[59] The double DVD, directed by David Mallet, contains over five hours of footage, including an on-the-road documentary and guest appearances by David Bowie and Robert Wyatt.[59] The final show of Gilmour's On an Island tour took place at the Gdańsk Shipyard on 26 August 2006. The concert was held before a crowd of 100,000, and marked the twenty-sixth anniversary of the founding of the Solidarity trade union.[60] The show was recorded, resulting in a live album and DVD release: Live in Gdańsk.[35] For the occasion Gilmour performed with an orchestra, using the 38-piece string section of the Polish Baltic Philharmonic orchestra, conducted by Zbigniew Preisner.[60]

On 25 May 2009, he participated in a concert at the Union Chapel in Islington, London. The concert was part of the 'Hidden Gigs' campaign against hidden homelessness, which is organised by Crisis, a UK-based national charity campaigning against homelessness. In the concert he collaborated with the Malian musicians Amadou & Mariam.[61] On 4 July 2009, he joined his friend Jeff Beck onstage at the Royal Albert Hall. Gilmour and Beck traded solos on "Jerusalem" and closed the show with "Hi Ho Silver Lining". In August 2009, he released an online single, "Chicago – Change the World", on which he sang and played guitar, bass and keyboards, to promote awareness of the plight of Gary McKinnon. A re-titled cover of the Graham Nash song "Chicago", it featured Chrissie Hynde and Bob Geldof, plus McKinnon himself. It was produced by long-time Pink Floyd collaborator Chris Thomas.[62] A video was also posted online.[63]


On 11 July 2010, Gilmour gave a performance for the charity Hoping Foundation with Roger Waters in Oxfordshire, England.[64] The performance was presented by Jemima Goldsmith and Nigella Lawson, and according to onlookers, it seemed that Gilmour and Waters had ended their long-running feud, laughing and joking together along with their respective partners. Waters subsequently confirmed on his Facebook page that Gilmour would play "Comfortably Numb" with him during one of his shows on his upcoming The Wall Live tour – Gilmour performed the song with Waters on 12 May 2011 at The O2, London and, with Nick Mason, played with the rest of the band on "Outside the Wall" at the conclusion of the show.[65]

Gilmour released an album with the Orb in 2010 entitled Metallic Spheres,[66] on which he co-wrote every track and their subsequent parts, and produced, played guitar and sang. In 2011, Rolling Stone placed Gilmour at number 14 in a list of the hundred greatest guitarists of all time.[67]

Graham Nash and Phil Taylor, Gilmour's guitar technician, both stated that Gilmour was currently working on a new studio album[68][69][70] to be completed during 2014, featuring Nash along with his long-time collaborator David Crosby. Gilmour's wife, Polly Samson has also stated via her Twitter account that she has been writing lyrics for her husband.

On 29 October 2014, Gilmour told Rolling Stone magazine that his new album was "coming along very well", that "there's a few months work in it yet" and that he is "hoping to get it out this following year" (in 2015). In addition to the new album, Gilmour confirmed that there would also be a tour, but not a massive 200-date tour, more like an "old man's tour", adding: "There haven't been many discussions about the tour. But places like Radio City Music Hall sound like the right sort of vibe for me." Gilmour confirmed that a Pink Floyd tour supporting their new album The Endless River was not going to happen, stating: "Without [Richard Wright], that's kind of impossible."[71][72]

On 4 March 2015, Gilmour announced a tour of the UK and Europe planned from September to October 2015, his first live tour in nine years, coinciding with the release of his fourth solo studio album.[73] On 16 July 2015, the first tour dates in 10 years were announced for North America for March to April 2016.[74]

On 6 June 2015, Gilmour previewed his fourth solo studio album at the Borris House Festival of Writing and Ideas in Carlow, Ireland and revealed that it would be titled Rattle That Lock.[75][76]

On 14 November 2015, Gilmour was the subject of the BBC Two documentary David Gilmour: Wider Horizons, which was billed as "an intimate portrait of one of the greatest guitarists and singers of all time, exploring his past and present."[77]

On 31 May 2017, it was announced that Gilmour's new live album and film, Live at Pompeii should hit select cinemas for one night only on 13 September 2017. The film documents the two shows Gilmour performed on 7 and 8 July 2016 at the Pompeii amphitheatre.[78] Live at Pompeii is due for release on 29 September 2017. [79][80]

In the EPK for Live at Pompeii, Gilmour stated that he has several songs which are almost complete which didn't make it onto Rattle That Lock. He also states that he'll tour again when the next album is released.[81]

Musical style

Gilmour is primarily regarded as a lead guitarist. His own solo style is often characterised by blues-influenced phrasing, expressive note bends and sustain. In 2011, Gilmour was rated the 14th greatest guitarist by Rolling Stone magazine. In January 2007, Guitar World readers voted Gilmour's solos, "Comfortably Numb", "Time" and "Money" into the top 100 Greatest Guitar Solos ("Comfortably Numb" was voted the 4th, "Time" was voted the 21st and "Money" was voted the 62nd greatest solo of all time).[82]

Early in his career with Pink Floyd, Gilmour played a multitude of Fender Stratocasters. He recorded one of his guitar solos, for "Another Brick in the Wall, Part 2", in one take using no editing or mixing using a 1955 Gibson Les Paul Gold Top guitar equipped with P-90 pick-ups.[83] In 1996, Gilmour was inducted into the Rock and Roll Hall of Fame as a member of Pink Floyd. Gilmour's solo on "Comfortably Numb" was voted as one of the greatest guitar solos of all time in several polls by listeners and critics.[84]

Although mainly known for his guitar work, Gilmour is also a proficient multi-instrumentalist. He also played bass on a portion of Pink Floyd tracks, keyboards, synthesiser, banjo, lap steel, mandolin, harmonica, and drums on the Syd Barrett solo track "Dominoes". He can also play the saxophone.[85]

Many critics have been very favourable towards Gilmour and his style, music critic Alan di Perna has praised Gilmour's guitar work as being an integral element of Pink Floyd's sound.[86] Di Perna described him as the most important guitarist of the 1970s, and also referred to Gilmour as "the missing link between [Jimi] Hendrix and Van Halen." In a 2006 interview with Gilmour, he commented on his playing technique: "[My] fingers make a distinctive sound... [they] aren't very fast, but I think I am instantly recognisable... The way I play melodies is connected to things like Hank Marvin and the Shadows".[87]

In 2006, a writer for Guitar World, Jimmy Brown, described Gilmour's playing style as "characterised by simple, huge-sounding riffs; gutsy, well-paced solos; and rich, ambient chordal textures". According to Brown, Gilmour's solos on "Money", "Time" and "Comfortably Numb" "cut through the mix like a laser beam through fog". Brown described the "Time" solo as "a masterpiece of phrasing and motivic development... Gilmour paces himself throughout and builds upon his initial idea by leaping into the upper register with gut-wrenching one-and-one-half-step 'over bends', soulful triplet arpeggios and a typically impeccable bar vibrato." Brown described Gilmour's sense of phrasing as intuitive, singling it out as perhaps his best asset as a lead guitarist.

Charity causes

Gilmour has been associated with various charity organisations. In May 2003, Gilmour sold his house in Little Venice to the ninth Earl Spencer and donated the proceeds worth £3.6 million to Crisis to help fund a housing project for the homeless. He has been named a vice-president of the organisation.[88] Other charities to which Gilmour has lent support include Oxfam, the European Union Mental Health and Illness Association, Greenpeace, Amnesty International,[28] The Lung Foundation, Nordoff-Robbins music therapy,[28] Teenage Cancer Trust, and People for the Ethical Treatment of Animals (PETA).[89] He also donated £25,000 to the Save the Rhino foundation in exchange for Douglas Adams's name suggestion for the album that became The Division Bell.[35]

Personal life

Gilmour's first marriage was to American-born model and artist Virginia "Ginger" Hasenbein, on 7 July 1975.[90] The couple had four children: Alice (born 1976), Claire (born 1979), Sara (born 1983) and Matthew (born 1986).[91] They originally attended a Waldorf School, but Gilmour called their education there "horrific".[92] In 1994, he married novelist, lyricist and journalist Polly Samson. His best man was his teenage friend and Pink Floyd album artwork designer Storm Thorgerson.[93] The couple have four children: Gilmour's adopted son Charlie (born 1989 to Samson and Heathcote Williams),[94] Joe (born 1995), Gabriel (born 1997) and Romany (born 2002).[95] Charlie's voice can be heard on the telephone to Steve O'Rourke, at the end of "High Hopes" from The Division Bell. Gabriel performed piano on the song "In Any Tongue" on the 2015 album Rattle That Lock, making his recording debut.[7]

Gilmour is Godfather to actress Naomi Watts, whose father Peter Watts was a Pink Floyd roadie during the 1970s. Gilmour lives with his family on a farm near Wisborough Green, Sussex, and also has a home at Hove.[96] He also spends time at his recording studio houseboat Astoria near Hampton Court.[77]

Gilmour is an experienced pilot and aviation enthusiast. Under the aegis of his company, Intrepid Aviation,[28] he had amassed a collection of historical aircraft. He later decided to sell the company, which he had started as a hobby, feeling that it was becoming too commercial for him to handle. In a BBC interview, he stated:

Intrepid Aviation was a way for me to make my hobby pay for itself a little bit, but gradually over a few years Intrepid Aviation became a business because you have to be businesslike about it. Suddenly I found instead of it being a hobby and me enjoying myself, it was a business and so I sold it. I don't have Intrepid Aviation any more. I just have a nice old biplane that I pop up, wander around the skies in sometimes...[97]

Gilmour has stated in interviews that he does not believe in an afterlife and that he is an atheist.[98][99] When it comes to Gilmour's political views, he has stated that he is left-wing, and that his beliefs spring from those of his parents; he stated that his parents were "Proper Manchester Guardian readers", and went on to say that "Some of their friends went on the Aldermaston Marches. Mine never did to my knowledge, but they were both committed to voting for the Labour Party"; Gilmour inherited his parents' socialism, stating "I still consider myself to be more a socialist than anything else, even if I can't quite stick with party politics".[100] In August 2014, Gilmour was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that issue.[101] In May 2017, Gilmour endorsed Labour Party leader Jeremy Corbyn in the 2017 UK general election.[102][103] He tweeted: "I'm voting Labour because I believe in social equality."[104][105]

Gilmour's net worth is £100 million according to the Sunday Times Rich List 2016.[106]

Awards and honours

On 22 May 2008, Gilmour won the 2008 Ivor Novello Lifetime Contribution Award, recognising his excellence in music writing.[107] In autumn 2008, he was recognised for his outstanding contribution to music by the Q Awards. He dedicated his award to his bandmate Richard Wright, who died in September 2008.[4] On 11 November 2009, Gilmour received an honorary doctorate from the Anglia Ruskin University.[108]


The 0001 Strat

The 0001 Strat is a Fender Stratocaster electric guitar, with a white body, maple neck, three-way pick up selector and an unusual gold colour scratch plate and hardware, owned by David Gilmour.[109][110][111] He bought it from guitar technician Phil Taylor, who had purchased it from Seymour Duncan.[112] This guitar is one of the most notable in his collection as it has the 0001 serial number. Gilmour used the guitar in the 2004 50th anniversary of the Stratocaster at Wembley Arena along with one of his Candy Apple Red Strats (famous for their appearances with Gilmour from 1987-2004). It is not the first Fender Stratocaster ever made as prototypes had already been constructed before this one. The origin of the guitar is unknown, and isn't clear whether it is the real 0001 Strat because the neck (which has the 0001 serial number on it) could have been taken off the original.[111] The 0001 Strat, along with the Red Strat, was used in the 2004 Strat Pack show that commemorated the 50th anniversary of the Fender Stratocaster.

Other equipment

Some equipment Gilmour has used on his solo or Pink Floyd records and tours include many versions of the Fender Stratocaster, several Les Paul, and other guitar models.

Others include:

  • Cream coloured 1957 reissue Stratocaster. This guitar was used on Gilmour's 1984 solo tour to support the About Face album and also during the early part of the 1987–1990 Pink Floyd tour. During the 1994 Pink Floyd tour it was used as a spare guitar. During Pink Floyd's Live 8 set sidesman Tim Renwick was seen playing it. It has the same EMG setup as his red '57 Reissue model. After it was used for Live 8, the neck from the cream Stratocaster was transferred to Gilmour's main black Stratocaster.
  • '57 Lake Placid Blue. (Serial number #0040). This guitar was used during The Wall recording sessions.
  • Sonic Blue "Eric Clapton" signature Stratocaster with Fender Lace Sensor pick-ups given to Gilmour by Fender Musical Instruments Corporation. It was used on an episode of French and Saunders. Incidentally Mark Knopfler used Gilmour's EMG red Strat in the same sketch.
  • Double-neck Stratocaster. Custom made body by guitar builder Dick Knight and using standard Fender necks. It was used in the early 1970s.
  • 1959 sunburst Stratocaster body with a 1963 neck with a rosewood fingerboard. This guitar was given to Gilmour by Steve Marriott. Gilmour did not like the guitar enough to use it for very long but did like the neck better than the original one on his black Stratocaster and the two were switched. The sunburst model was used as a spare and for slide guitar in subsequent years.
  • White Stratocaster with white pickguard. Used in the late 1960s. Received as a gift from the rest of the band.[113]
  • '83 Candy Apple Red 1957 Reissue Stratocaster equipped with EMG SA pick-ups, used on the Momentary Lapse of Reason recording, the '87-'90 Delicate Sound of Thunder Tour, The Division Bell and PULSE. It was Gilmour's main guitar from 1985 until 2005.
  • A blonde Fender Custom Shop 2006 Telecaster Vintage Reissue, maple neck and white pickguard. Used on the On an Island tour.
  • '52 Butterscotch Reissues with black pickguard. Used between 1987 and 1995. The first guitar was tuned in Dropped D rather than a standard tuning and was used for "Run Like Hell". The second served as a backup instrument and had a regular guitar tuning. Gilmour used this guitar for "Astronomy Domine".
  • '59 Custom Telecaster with sunburst ash body, white binding on the body, rosewood fingerboard, and a white pickguard. A Gibson Humbucker was briefly placed in the neck position but this was removed before it was used on the Animals recording sessions. Last seen at rehearsals during the On an Island tour.
  • 1960s brown-faded body. Used in the late 1960s.
  • 1960s blonde ash body with white pickguard. This was Gilmour's main guitar during his first year with Pink Floyd, but it was lost by an airline company in 1968, prompting Gilmour to buy the brown-faded Telecaster.[114]
  • Esquire '55 Sunburst body a.k.a. "The workmate Tele". Neck pick-up added. Used at the recording sessions for his first solo album and seen on the back cover of his second solo album, and used in The Wall recording sessions and subsequent tour. Also seen when Gilmour performed with Paul McCartney in the late 1990s, at the Jerry Leiber and Mike Stoller tribute concert and at the AOL Elvis Tribute on the song "Don't", both in 2001.

Other electric guitars

Along with the Fender models, Gilmour has also used a Gibson Les Paul goldtop model with P-90 pick-ups during recording sessions for The Wall and A Momentary Lapse of Reason.[115] It was used for the guitar solo on "Another Brick in the Wall, Part 2".

Gilmour also plays a Gretsch Duo-Jet, a Gretsch White Falcon, and a "White Penguin". He played a Bill Lewis 24-fret guitar during the Meddle and Dark Side of the Moon recording sessions, and a Steinberger GL model which was his main guitar during A Momentary Lapse of Reason recording sessions.[116]


Gilmour has used many acoustic guitars throughout his career including a Gibson Chet Atkins classical model, and a Gibson J-200 Celebrity acoustic guitar.[117] Gilmour used several Ovation models including a Custom Legend 1619-4, and a Custom Legend 1613-4 nylon string guitar, both during The Wall recording sessions.[118] Martin models used include a D-35, and a D12-28 12-string.[118] Gilmour's large acoustic collection also includes many models from Taylor, Takamine, and Guild.

Steel guitar

Throughout his recording career Gilmour has added a different element to his guitar style with his use of steel guitars. A pair of Jedson steel guitars, as well as a Fender 1000 pedal steel, were used frequently in the early 1970s. Originally purchased from a pawn shop while Gilmour was in Seattle in 1970, the Jedson was used during recording of "One of These Days" from Meddle and "Breathe" and "The Great Gig in the Sky" from Dark Side of the Moon.[119] Gilmour also owns a Fender Deluxe lap steel, which he used during The Division Bell tour in 1994.[117] Gilmour also owns a Champ lap steel model. Along with the Fender steel models Gilmour has also used: a Gibson EH150, and two Jedson models: one red (1977-tuned D-G-D-G-B-E for "Shine On You Crazy Diamond, Parts 6–9", 1987–2006: Tuned E-B-E-G-B-E for "High Hopes") and one blonde. He also uses a ZB steel model.[118] Gilmour played pedal steel guitar on the album Blue Pine Trees by Unicorn.

Bass guitars

Gilmour has played the bass guitar both in the studio and onstage, and has played many bass models including: an Ovation Magnum, a Fender Bass VI, Fender Precision[120] and Jazz bass models and a Charvel fretless (all used during The Wall recording sessions). During the 1991 Amnesty International concert Gilmour used a Music Man Fretless Stingray bass while conducting the house band and again during Spinal Tap's performance of "Big Bottom".[121]

Fender Black Strat Signature Stratocaster

In November 2006, Fender Custom Shop announced two reproductions of Gilmour's "Black" Strat for release on 22 September 2008. Phil Taylor, Gilmour's guitar tech, supervised this release and has written a book on the history of this guitar.[122] The release date was chosen to coincide with the release of Gilmour's Live in Gdańsk album.[123] Both guitars are based on extensive measurements of the original instrument, each featuring varying degrees of wear. The most expensive is the David Gilmour Relic Stratocaster which features the closest copy of wear on the original guitar. A pristine copy of the guitar is also made, called the David Gilmour NOS Stratocaster.[124]

Effect pedals


Studio albums
  • David Gilmour (1978)
  • About Face (1984)
  • On an Island (2006)
  • Rattle That Lock (2015)


  • About Face Tour (1984)
  • On an Island Tour (2006)
  • Rattle That Lock Tour (2015–16)


  1. ^ Gilmour has three siblings: Peter, Mark and Catherine.[10]


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  • Blake, Mark (2008). Comfortably Numb: The Inside Story of Pink Floyd (1st US paperback ed.). Da Capo Press. ISBN 978-0-306-81752-6. 
  • Fitch, Vernon (2005). The Pink Floyd Encyclopedia (Third ed.). Collector's Guide Publishing, Inc. ISBN 978-1-894959-24-7. 
  • Fitch, Vernon; Mahon, Richard (2006). Comfortably Numb: A History of "The Wall" – Pink Floyd 1978–1981 (1st ed.). PFA Publishing, Inc. ISBN 978-0-9777366-0-7. 
  • Mabbett, Andy (2010). Pink Floyd – The Music and the Mystery (1st UK paperback ed.). Omnibus Press. ISBN 978-1-84938-370-7. 
  • Manning, Toby (2006). The Rough Guide to Pink Floyd (1st US paperback ed.). Rough Guides Ltd. ISBN 978-1-84353-575-1. 
  • Mason, Nick (2005). Inside Out: A Personal History of Pink Floyd (1st US paperback ed.). Chronicle Books. ISBN 978-0-8118-4824-4. 
  • Povey, Glen (2008). Echoes: The Complete History of Pink Floyd (2nd UK paperback ed.). 3C Publishing Ltd. ISBN 978-0-9554624-1-2. 
  • Povey, Glen; Russell, Ian (1997). Pink Floyd: In the Flesh: The Complete Performance History (1st US paperback ed.). St. Martin's Press. ISBN 978-0-9554624-0-5. 
  • Schaffner, Nicholas (1991). Saucerful of Secrets: the Pink Floyd Odyssey (1st US paperback ed.). Dell Publishing. ISBN 978-0-385-30684-3. 
  • Wenner, Jann, ed. (8 December 2011). "Rolling Stone: The 100 Greatest Guitarists of All Time". Rolling Stone (1145). 

Further reading

  • Di Perna, Alan (2002). Guitar World Presents Pink Floyd. Hal Leonard Corporation. ISBN 978-0-634-03286-8. 
  • Fitch, Vernon (2001). Pink Floyd: The Press Reports 1966–1983. Collector's Guide Publishing Inc. ISBN 978-1-896522-72-2. 
  • Fricke, David (December 2009). "Roger Waters: Welcome to My Nightmare ... Behind The Wall". Mojo. Emap Metro. 193: 68–84. 
  • Harris, John (2005). The Dark Side of the Moon: The Making of the Pink Floyd Masterpiece. Da Capo. ISBN 978-0-306-81342-9. 
  • Hiatt, Brian (September 2010). "Back to The Wall". Rolling Stone. 1114: 50–57. 
  • MacDonald, Bruno (1997). Pink Floyd: through the eyes of ... the band, its fans, friends, and foes. Da Capo Press. ISBN 978-0-306-80780-0. 
  • Mabbett, Andy (1995). The Complete Guide to the Music of Pink Floyd (1st UK paperback ed.). Omnibus Press. ISBN 978-0-7119-4301-8. 
  • Miles, Barry (1982). Pink Floyd: A Visual Documentary by Miles. New York: Putnam Publishing Group. ISBN 978-0-399-41001-7. 
  • Scarfe, Gerald (2010). The Making of Pink Floyd: The Wall (1st US paperback ed.). Da Capo Press. ISBN 978-0-306-81997-1. 
  • Simmons, Sylvie (December 1999). "Pink Floyd: The Making of The Wall". Mojo. London: Emap Metro. 73: 76–95. 
  • Watkinson, Mike; Anderson, Pete (1991). Crazy Diamond: Syd Barrett & the Dawn of Pink Floyd (1st UK paperback ed.). Omnibus Press. ISBN 978-1-84609-739-3. 

External links

  • Media related to David Gilmour at Wikimedia Commons
  • Quotations related to David Gilmour at Wikiquote
  • Official website
  • Official blog
  • David Gilmour at AllMusic
  • David Gilmour discography at Discogs
  • David Gilmour on IMDb
  • Bootleg recordings
This page was last modified 07.09.2017 15:14:50

This article uses material from the article David Gilmour from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.