Gottlob Frick

Gottlob Frick

born on 28/7/1906 in Ölborn, Baden-Württemberg, Germany

died on 18/8/1994 in Mühlacker, Baden-Württemberg, Germany

Gottlob Frick

From Wikipedia, the free encyclopedia.

Gottlob Frick (July 28, 1906 in Ölbronn-Dürrn August 18, 1994 in Muhlacker) was a German bass who sang in opera. He was known for his wide repertory including Wagner and Mozart roles, as well as those of Nicolai and Lortzing.


Frick's teachers included Fritz Windgassen (father and teacher of Fricks contemporary, the tenor Wolfgang Windgassen).

He was a member of the chorus at the Stuttgart State Opera from 1927 to 1934. His first solo role was in Coburg in 193435,[1] followed by Freiburg (193640)[2] and Königsberg (1938) where Karl Böhm discovered him and engaged him for the Dresden State Opera in 1941,[3] which was his base for the following decade. In 1950 he moved to the Deutsche Oper Berlin, but his international career took him to all the leading houses in Europe.

His voice, instantly recognizable by its dark, evil-sounding, almost reptilian timbre, was aptly described by Wilhelm Furtwängler as 'the blackest bass in Germany' (der schwärzeste Bass in Deutschland). This made up for the fact that it was somewhat smaller than others such as those of Josef Greindl, Ludwig Weber and Kurt Boehme.

The roles for which Frick was best known were Osmin, Sarastro, Commendatore, Kaspar, Rocco and, above all, the principal Wagner bass roles. He also performed in operetta, often with Fritz Wunderlich, and often sang Archangel Raphael in Haydn's Creation. Surprisingly, he avoided the role of Richard Strausss Baron Ochs in Der Rosenkavalier which many thought ideal for him.

He retired in 1970 from the stage, although a few of his recordings (for instance, as Gurnemanz in the Solti-led Parsifal), were later than that.


He is well represented on disc. Among his best-known recordings were Osmin (in The Abduction from the Seraglio) first for Sir Thomas Beecham and again for Josef Krips, Sarastro (in The Magic Flute) and Rocco (in Fidelio) for Otto Klemperer.

He also recorded the Hermit (in Weber's Der Freischütz) for Joseph Keilberth and Kaspar for Lovro von Matacic, The Peasant (in Carl Orff's Die Kluge) for both Wolfgang Sawallisch and Kurt Eichhorn, Kecal (in The Bartered Bride), Pogner and King Henry for Rudolf Kempe, King Marke, Daland and the Landgrave for Franz Konwitschny, and Hunding, Hagen and Gurnemanz for Sir Georg Solti.


  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5


  1. Opera. June 1954, p339
  2. Opera. June 1954, p339
  3. Opera. June 1954, p339

External links

This page was last modified 30.04.2014 20:36:55

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