born on 20/12/1948 in Atami, Japan
Links www.mitsukouchida.com (English)
Dame Mitsuko Uchida, DBE (内田光子, [ɯtɕiꜜda miꜜtsɯ̥ko]), born 20 December 1948) is a classical pianist and conductor, born in Japan and naturalised in Britain, particularly noted for her interpretations of Mozart and Schubert.
She has appeared with many notable orchestras, recorded a wide repertory with several labels, won numerous awards and honours (including Dame Commander of the Order of the British Empire in 2009), and has since 2013 been Artistic Director of the Marlboro Music School and Festival, the only musician to be its sole Artistic Director since co-founder Rudolf Serkin. She has also conducted several major orchestras.
Born in Atami, a seaside town close to Tokyo, Japan, Uchida moved to Vienna, Austria, with her diplomat parents when she was 12 years old, after her father was named the Japanese ambassador to Austria. She enrolled at the Vienna Academy of Music to study with Richard Hauser, and later Wilhelm Kempff and Stefan Askenase, and remained in Vienna to study when her father was transferred back to Japan after five years. She gave her first Viennese recital at the age of 14 at the Vienna Musikverein. She also studied with Maria Curcio, the last and favourite pupil of Artur Schnabel.
In 1969 Uchida won the first prize in the Beethoven Competition in Vienna and in 1970 the second prize in the International Chopin Piano Competition. In 1975, she won second prize in the Leeds Piano Competition.
In 1998 Uchida was the Music Director of the Ojai Music Festival in conjunction with conductor and violinist, David Zinman.
She is an acclaimed interpreter of the works of Mozart, Beethoven, Schubert, Chopin, Debussy and Schoenberg. She has recorded all of Mozart's piano sonatas (a project that won the Gramophone Award in 1989), and concerti, the latter with the English Chamber Orchestra, conducted by Jeffrey Tate. Her recording of the Schoenberg Piano Concerto with Pierre Boulez won another Gramophone Award. Uchida is further noted for her recordings of Beethoven's complete piano concerti with Kurt Sanderling conducting, Beethoven's late piano sonatas, and a Schubert piano cycle. She is also respected as a distinguished interpreter of the works of the Second Viennese School.
Her 2009 recording of the Mozart piano concertos nos. 23 and 24, in which she conducted the Cleveland Orchestra as well as playing the solo part, won the Grammy Award in 2011. This recording was the start of a project to record all the Mozart piano concertos for a second time, conducting the Cleveland Orchestra from the piano. Further recordings for this project were released in 2011, 2012 and 2014.
From 2002 to 2007 she was artist-in-residence for the Cleveland Orchestra, where she led performances of all of Mozart's solo piano concertos. She has also conducted the English Chamber Orchestra, from the keyboard. In 2010, she was artist-in-residence for the Berlin Philharmonic. She was senior artist at the Marlboro Music School and Festival in 1974 and 1992, and has been permanently associated with Marlboro since 1994 when she became a member of the Committee for Artistic Direction. In 1999 she became one of two Artistic Directors along with fellow pianist Richard Goode. Since 2013 she has been sole Artistic Director. She is also a founding trustee of the Borletti-Buitoni Trust, an organisation established to help young artists develop and sustain international careers. In May 2012, the Royal Philharmonic Society announced that she would be honoured with their Gold Medal (she received the society's annual Music Award in 2003); previous recipients have included Johannes Brahms (1877), Frederick Delius and Sir Edward Elgar (1925), Richard Strauss (1936), Igor Stravinsky (1954), Benjamin Britten and Leonard Bernstein (1987).
Her 2015 performance with the Cleveland Orchestra elicited this review from the Cleveland Plain Dealer:
Call it the mark of a master. Just when Mitsuko Uchida was starting to seem predictable, the goddess of purity, the pianist goes and exhibits another persona altogether. Performing Mozart again with the Cleveland Orchestra Thursday, the pianist-conductor treated listeners to a heartier, more robust version of her art. More than just the layout of the strings, she rearranged, in a refreshing manner, her very sound.
Honours and awards
- 1986: Suntory Music Award
- 1989: Gramophone Award for Best Instrumental Recording, for her set of the complete Piano Sonatas of Wolfgang Amadeus Mozart
- 2001: Appointed Honorary Commander of the Order of the British Empire (CBE) in the 2001 New Year Honours. At the time, the award was honorary because she was not yet a citizen of the United Kingdom.
- 2001: Gramophone Award for Best Concerto Recording, for her recording of the piano concerto of Arnold Schoenberg (with Pierre Boulez conducting)
- 2008: In April, BBC Music Magazine presented her its Instrumentalist of the Year and Disc of the Year awards.
- 2009: She was promoted to Dame Commander of the Order of the British Empire (DBE) in the 2009 Queen's Birthday Honours. On this occasion, the award was substantive, as she had become a British citizen.
- 2009: In June, she was awarded an honorary Doctor of Music (DMus) degree by the University of Oxford during Encaenia 2009.
- 2011: Grammy award for Best Instrumental Soloist(s) Performance (with orchestra) for her recording of Mozart's Piano Concerti No. 23 K. 488 and No. 24 K. 491 with the Cleveland Orchestra, which she conducted from the keyboard.
- 2012: in May, Uchida was awarded the Royal Philharmonic Society Gold Medal, one of the highest honours in classical music.
- 2015: in January, Uchida was awarded the Gold Medal of the Foundation (Stiftung) of the Mozarteum University of Salzburg
- 2015: Praemium Imperiale
- 2017: Grammy Award for the Best Classical Solo Vocal Album (as accompanist) with Dorothea Röschmann
- "Mitsuko Uchida, Artistic Director". Marlboro Festival.
- "Uchida, Mitsuko", Grove Music Online, 2007. Accessed 3 June 2007.
- Immelman, Niel (13 April 2009). "Maria Curcio". Retrieved 6 December 2016 – via The Guardian.
- "Maria Curcio". telegraph.co.uk. Retrieved 6 December 2016.
- Hunt, Brian, "Rekindling the very grandest of passions", Daily Telegraph, 2 April 2001; accessed 22 September 2009.
- "Mitsuko Uchida Wins Best Instrumental Soloist(s) Performance (With Orchestra)". February 15, 2011.
- "Mitsuko Uchida - Reviews". Decca Classics.
- ""Mitsuko Uchida, Artistic Director"". Archived from the original on 3 May 2015. Retrieved 3 May 2015., Marlboro Music School and Festival Official Website, 2015. Accessed 3 May 2015.
- "Borletti-Buitoni Trust: Making a Difference". Southbank Centre. Retrieved 3 May 2015.
- "Mitsuko Uchida treats Cleveland Orchestra crowd to bright, robust Mozart (review and gallery)". cleveland.com. Retrieved 6 December 2016.
- "New Year Honours 2000 - Honorary appointments". bbc.co.uk. Retrieved 6 December 2016.
- "No. 59090". The London Gazette (Supplement). 13 June 2009. p. 7.
- Honorary awards are specifically listed as such, and are not usually gazetted
- "Oxford University Gazette, 5 February 2009" Archived 4 July 2009 at the Wayback Machine.
- "Pianist Mitsuko Uchida given classical honour". 4 May 2012. Retrieved 6 December 2016 – via www.bbc.co.uk.
- Kriechbaum, Reinhard. "Einmal Gold, zweimal Silber". drehpunktkultur.at. Retrieved 6 December 2016.
- "Artists honored with Japan's Praemium Imperiale awards". reuters.com (Press release). Reuters. 21 October 2015. Retrieved 17 July 2018.
- "Grammy Award winners 2017: Complete list". The Washington Post. Retrieved 12 February 2017.
- Official website
- Borletti-Buitoni Trust
- on YouTube, WNCN-FM, 1 December 1985
- on YouTube
- Erica Jeal, 'Musical moments' (profile of Mitsuko Uchida), The Guardian, 25 February 2006. Accessed 1 February 2008.
- Allan Kozinn, 'A Keyboard Alchemist Exploring the Haze', New York Times, 29 April 2005. Accessed 1 February 2008.
- Transcript: 'Mitsuko Uchida', The Music Show, ABC (Australia), 1 July 2006. Accessed 1 February 2008.
- Andrew Lindemann Malone, 'From Pianist Uchida, Daring, Intense Mozart', The Washington Post, 17 November 2005, Page C02. Accessed 1 February 2008.