Manos Hadjidakis

Manos Hadjidakis

born on 23/10/1925 in Xanthi, Thráki, Greece

died in 1994 in Athen, Attika, Greece

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Manos Hatzidakis

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Manos Hatzidakis

Manos Hatzidakis (also spelled Hadjidakis; Greek: ; October 23, 1925 June 15, 1994) was a Greek composer and theorist of Greek music. He was also one of the main prime movers of the "Éntekhno" song (along with Mikis Theodorakis). In 1960 he received an Academy Award for Best Original Song for his song Never on Sunday from the film of the same name.


His very first work was the tune for the song "Paper Moon" (" "), from Tennessee Williams' A Streetcar Named Desire staged by Karolos Koun's Art Theatre of Athens, a collaboration which continued for 15 years. His first piano piece, "For a Small White Seashell" (" "), came out in 1947 and in 1948 he shook the musical establishment by delivering his legendary lecture on rembetika, the urban folk songs that flourished in Greek cities, mainly Piraeus, after the Asia Minor refugee influx in 1922 and until then had heavy underworld and cannabis use connections and were consequently looked down upon. Hatzidakis focused on the economy of expression, the deep traditional roots and the genuineness of emotion displayed in rembetika, and exalted the likes of composers like Markos Vamvakaris and Vassilis Tsitsanis. Putting theory to practice, he adapted classic rembetika in his 1951 piano work, Six Folk Paintings ( ), which was later also presented as a folk ballet. In 1949 he co-founded the Greek Dance Theatre Company with the choreographer Rallou Manou.[1]

At this point he began writing immensely popular "pop" songs and movie soundtracks alongside more serious works, such as 1954's The C.N.S. Cycle (O Kyklos tou C.N.S.), a song cycle for piano and voice recalling the German lied in its form, if not in style. In 1955 he wrote the score for Michael Cacoyannis' film Stella, with actress Melina Mercouri, singing the movie's trademark song "Love that became a double-edged knife" (" ' "). Hatzidakis always maintained that he wrote his serious pieces for himself and his less serious ones to make a living.

In 1959, Hatzidakis met Nana Mouskouri, his first "ideal interpreter", a skilled vocalist who shaped the sounds of his music. It was 1960 that brought him international success, as his song "Never on Sunday" (" "), from Jules Dassin's film Never on Sunday ( ), won him an Academy Award and became a worldwide hit.

In 1962, he produced the musical Street of Dreams ( )[2] and completed his score for Aristophanes' Birds (), another Art Theater production which caused an uproar over Karolos Koun's revolutionary direction. The score was also used later by Maurice Béjart's 20th Century Ballets. He also wrote the music for a song which Arthur Altman added English lyrics to and gave to Brenda Lee. The song was "All Alone Am I". In 1964 he released the album 15 Vespers ( ) with the famous song "Mr Antonis (" ").[3]

In 1965, his LP Gioconda's Smile ( )[4] was released on Minos-EMI. In 2004, it was re-released, digitally remastered as an audiophile LP and a CD in the EMI Classics collection. In 1966 he travelled to New York City for the premiere of Illya Darling, a Broadway musical based on Never on Sunday, which starred Mercouri. He did not return to Greece until 1972 due to his opposition to Greece's military dictatorship.

In exile

While in the United States he completed several more major compositions, including Rhythmology (Rythmologia) for solo piano, his compilation, Gioconda's Smile (produced by Quincy Jones), and the song cycle, Magnus Eroticus (Megalos Erotikos), in which he used ancient (Sappho, Euripides), medieval (stanzas from folk songs and George Hortatzis' romance Erophile) and modern (Dionysios Solomos, Constantine Cavafy, Odysseus Elytis, Nikos Gkatsos) Greek poems, as well as an excerpt from the Old Testament book "Wisdom of Solomon". His LP Reflections with the New York Rock & Roll Ensemble contained several of his most beautiful songs, either in orchestral form or with English lyrics written by the band a record that preceded fusion trends by several decades.

Later years

Hatzidakis returned to Greece in 1972 and recorded Magnus Eroticus with singer Fleury Dantonaki, an opera-trained alto and singer Dimitris Psarianos. Following the junta's overthrow, he became active in public life and assumed a number of positions in the Athens State Orchestra (KOA), the National Opera (ELS), and the National Radio (ERT). In 1985 he launched his own record company "Seirios" (Sirius). In 1988 he helped Foivos Delivorias get started in his singing career. In 1989 he founded and directed the Orchestra of Colours (Orchistra ton Chromaton), a small symphonic orchestra.


He died on June 15, 1994 in Athens, aged 68, from heart disease and type 2 diabetes. His estate and archives were bequeathed to his adopted son, George Theophanopoulos-Hatzidakis. In 1999 the City of Athens dedicated Technopolis in his memory.

Musical scores

  • Adoulotoi Sklavoi - Unsubdued Slaves US title (1946)
  • Kokkinos Vrahos (1949)
  • Dyo Kosmi The Two Worlds (1949)
  • Nekri Politeia Dead City US title (1951)
  • O Grousouzis The Grouch US title (1952)
  • Agni Tou Limaniou - Lily of the Harbour US title (1952)
  • The Counterfeit Coin - (1955)
  • O Drakos The Ogre of Athens US title (1956)
  • Never on Sunday ( ) (1960)
  • Woe to the Young (1961)
  • America America (1963)
  • Topkapi (1964)
  • Gioconda's Smile ( ) (1965)
  • Illya Darling (1967) Broadway musical
  • Reflections (1969) Performed by the New York Rock & Roll Ensemble
  • Sweet Movie (1974)
  • Memed My Hawk (1984)
  • Reflections (2005) Performed by Raining Pleasure. Special appearance by Meriam performing the song "Kemal"
  • Amorgos (2006)


  1. Hatzidakis's biodata
  2. /Dream Street (music/video)
  3. /Mr Antonis (music/video)
  4. /Gioconda's Smile (music/video)

This page was last modified 08.02.2014 19:26:39

This article uses material from the article Manos Hatzidakis from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License.